{"id":13883,"date":"2026-04-07T18:35:35","date_gmt":"2026-04-07T18:35:35","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/?post_type=product&#038;p=13883"},"modified":"2026-09-02T12:01:43","modified_gmt":"2026-09-02T12:01:43","slug":"banda-magnetofon-live-from-auditorium-hamburg","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/banda-magnetofon-live-from-auditorium-hamburg\/","title":{"rendered":"STS Banda Magnetofon Live From Auditorium Hamburg"},"content":{"rendered":"<h2>Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg<\/h2>\n<p><strong>Dou\u0103 instrumente. Doi muzicieni. O \u00eenc\u0103pere. \u0218i o \u00eenregistrare care te las\u0103 foarte aproape de muzic\u0103.<\/strong><\/p>\n<p><em>Live From Auditorium Hamburg<\/em> este o sesiune live \u00een care <strong>Wolfgang Bernreuther<\/strong>, voce \u0219i chitar\u0103 blues, se \u00eent\u00e2lne\u0219te cu <strong>G\u00f6tz Kelling-Urban<\/strong>, violoncelist. Formula este neobi\u0219nuit\u0103, dar tocmai aceast\u0103 simplitate \u00eei d\u0103 \u00eenregistr\u0103rii caracterul.<\/p>\n<p>Nu exist\u0103 o trup\u0103 numeroas\u0103 care s\u0103 umple spa\u021biul. Nu exist\u0103 straturi peste straturi de produc\u021bie. Exist\u0103 <strong>vocea, chitara \u0219i violoncelul<\/strong>, iar \u00eentre ele se creeaz\u0103 o conversa\u021bie muzical\u0103 \u00een care fiecare nuan\u021b\u0103 poate fi auzit\u0103.<\/p>\n<h3>O sear\u0103 de blues \u00een Hamburg<\/h3>\n<p>Concertul a fost realizat \u00een <strong>Auditorium Hamburg<\/strong>, \u00eentr-un spa\u021biu cunoscut pentru activitatea sa \u00een zona high-end audio. Proiectul a fost realizat \u00een colaborare cu echipa Auditorium, clearaudio \u0219i speciali\u0219tii \u00een \u00eenregistr\u0103ri analogice de la <strong>STS Premium High End Recording<\/strong>. <\/p>\n<p>Atmosfera este una de concert adev\u0103rat. Publicul este prezent, iar reac\u021bia sa face parte din \u00eenregistrare. Chiar \u0219i aplauzele pot deveni un element important atunci c\u00e2nd ascul\u021bi discul sau banda pe un sistem capabil s\u0103 redea corect spa\u021biul.<\/p>\n<p>O audi\u021bie dedicat\u0103 edi\u021biei pe vinil a remarcat tocmai acest aspect: ambian\u021ba s\u0103lii \u0219i aplauzele publicului sunt surprinse cu o naturale\u021be remarcabil\u0103, \u00een timp ce vocea, chitara \u0219i violoncelul p\u0103streaz\u0103 o prezen\u021b\u0103 foarte fizic\u0103. <\/p>\n<h3>Wolfgang Bernreuther \u2013 blues f\u0103r\u0103 masc\u0103<\/h3>\n<p><strong>Wolfgang Bernreuther<\/strong> este chitarist \u0219i vocalist, iar stilul s\u0103u se potrive\u0219te perfect unei asemenea formule. C\u00e2nt\u0103 cu o expresivitate direct\u0103, \u00een care blues-ul nu are nevoie de artificii pentru a transmite emo\u021bie.<\/p>\n<p>Chitara sa acustic\u0103 \u0219i resofonic\u0103 are un rol important \u00een \u00eenregistrare. Atacul corzilor, vibra\u021bia lemnului \u0219i diferen\u021bele subtile dintre o not\u0103 c\u00e2ntat\u0103 u\u0219or \u0219i una accentuat\u0103 devin parte din poveste.<\/p>\n<p>Vocea este la fel de important\u0103: sonor\u0103, matur\u0103 \u0219i cu o textur\u0103 care se potrive\u0219te perfect repertoriului.<\/p>\n<h3>G\u00f6tz Kelling-Urban \u2013 violoncelul care schimb\u0103 perspectiva<\/h3>\n<p>Al\u0103turi de Bernreuther se afl\u0103 <strong>G\u00f6tz Kelling-Urban<\/strong>, iar violoncelul s\u0103u ofer\u0103 albumului o dimensiune aparte.<\/p>\n<p>\u00cen locul unei sec\u021bii ritmice tradi\u021bionale, violoncelul poate deveni simultan acompaniament \u0219i contrapunct. Uneori sus\u021bine vocea \u0219i chitara, alteori r\u0103spunde acestora aproape ca un al doilea solist.<\/p>\n<p>Kelling-Urban c\u00e2nt\u0103 pe un violoncel realizat de <strong>Nicolas Darche \u00een 1847<\/strong>, un detaliu care contribuie la caracterul aparte al instrumentului. <\/p>\n<p>Combina\u021bia dintre chitara blues \u0219i violoncel creeaz\u0103 astfel o textur\u0103 pe care nu o \u00eent\u00e2lne\u0219ti \u00een mod obi\u0219nuit pe un album de blues.<\/p>\n<h3>Un repertoriu construit pentru doi muzicieni<\/h3>\n<p>Programul \u00eencepe cu <em>Alabama Train<\/em>, pies\u0103 asociat\u0103 cu Louisiana Red \u0219i aranjat\u0103 aici de Wolfgang Bernreuther. Urmeaz\u0103 <em>The Thrill Is Gone<\/em>, <em>Drifting Blues<\/em>, <em>Little Red Rooster<\/em> \u0219i <em>The Same Thing<\/em>.<\/p>\n<p>\u00cen partea a doua apar compozi\u021bii originale ale lui Bernreuther, precum <em>Indian Blues<\/em>, <em>Slowly Drivin&#8217; Me Mad<\/em>, <em>Blinded By The Night<\/em> \u0219i <em>For Ole<\/em>, al\u0103turi de <em>I Still Miss Someone<\/em>, scris\u0103 de Johnny Cash \u0219i Roy Cash.<\/p>\n<p>Este un repertoriu care trece natural prin <strong>blues tradi\u021bional, balade \u0219i compozi\u021bii originale<\/strong>, p\u0103str\u00e2nd \u00eens\u0103 permanent aceea\u0219i atmosfer\u0103 intim\u0103.<\/p>\n<h3>Direct pe band\u0103<\/h3>\n<p>Una dintre cele mai importante particularit\u0103\u021bi ale proiectului este modul \u00een care a fost realizat\u0103 \u00eenregistrarea.<\/p>\n<p>STS Premium High End Recording a realizat captura live folosind echipamente analogice, iar sursele dedicate proiectului men\u021bioneaz\u0103 un <strong>Nagra 4S stereo<\/strong>, cabluri <strong>Siltech<\/strong> \u0219i microfoane <strong>Schoeps<\/strong>. <\/p>\n<p>Sursele produc\u021biei descriu \u00eenregistrarea ca fiind captat\u0103 <strong>direct pe band\u0103<\/strong>, f\u0103r\u0103 s\u0103 piard\u0103 caracterul natural al interpret\u0103rii. <\/p>\n<p>Aceast\u0103 abordare este foarte potrivit\u0103 pentru un concert de asemenea dimensiuni. Cu c\u00e2t sunt mai pu\u021bine elemente \u00eentre muzician \u0219i suportul final, cu at\u00e2t devine mai important\u0103 calitatea capturii ini\u021biale.<\/p>\n<h3>De ce este at\u00e2t de interesant\u0103 pe reel-to-reel?<\/h3>\n<p>O band\u0103 magnetofon bun\u0103 poate transforma o astfel de sesiune \u00eentr-o experien\u021b\u0103 extrem de direct\u0103.<\/p>\n<p>\u00cen cazul acestui album, nu trebuie s\u0103 urm\u0103re\u0219ti zeci de instrumente. Ai doar c\u00e2teva surse sonore, dar fiecare are foarte mult\u0103 informa\u021bie.<\/p>\n<p>Ascult\u0103 <strong>atacul chitarei<\/strong>, textura corzilor, respira\u021bia vocalistului \u0219i rezonan\u021ba violoncelului. Apoi ascult\u0103 spa\u021biul dintre ele \u0219i reac\u021bia publicului. Tocmai aceste elemente fac diferen\u021ba dintre o simpl\u0103 \u00eenregistrare \u0219i senza\u021bia c\u0103 e\u0219ti prezent \u00een aceea\u0219i \u00eenc\u0103pere.<\/p>\n<p>STS pune accent pe naturale\u021be, iar aceast\u0103 produc\u021bie este un exemplu foarte bun al ideii c\u0103 <strong>un sistem audio performant nu trebuie s\u0103 transforme muzica \u00een ceva spectaculos; trebuie s\u0103 fac\u0103 interpretarea s\u0103 par\u0103 real\u0103<\/strong>.<\/p>\n<h3>Un album \u00een care spa\u021biul devine instrument<\/h3>\n<p>Poate cel mai interesant aspect al sesiunii este rela\u021bia dintre muzic\u0103 \u0219i \u00eenc\u0103pere.<\/p>\n<p>O chitar\u0103 acustic\u0103 \u00eentr-un spa\u021biu real nu sun\u0103 ca o chitar\u0103 izolat\u0103 \u00eentr-un studio. Are reflexii, are aer \u00een jurul ei \u0219i are o anumit\u0103 distan\u021b\u0103 fa\u021b\u0103 de ascult\u0103tor. Violoncelul are propriul corp acustic, iar vocea se proiecteaz\u0103 diferit \u00een spa\u021biu.<\/p>\n<p>Pe o reproducere bun\u0103, aceste rela\u021bii pot fi percepute foarte clar.<\/p>\n<p>O evaluare a \u00eenregistr\u0103rii a remarcat exact acest lucru: chitara are o microdinamic\u0103 foarte bun\u0103, violoncelul apare cu un corp conving\u0103tor, iar vocile p\u0103streaz\u0103 o textur\u0103 bogat\u0103 \u0219i natural\u0103. <\/p>\n<h3>Tracklist<\/h3>\n<h4>Side A<\/h4>\n<ol>\n<li><strong>Alabama Train<\/strong> \u2013 Iverson Minter, aranjament Wolfgang Bernreuther \u2013 4:07<\/li>\n<li><strong>The Thrill Is Gone<\/strong> \u2013 Roy Hawkins \/ Rick Darnell \u2013 5:27<\/li>\n<li><strong>Drifting Blues<\/strong> \u2013 Charles Brown \/ Johnny Moore \/ Eddie Williams \u2013 3:37<\/li>\n<li><strong>Little Red Rooster<\/strong> \u2013 Willie Dixon \u2013 3:27<\/li>\n<li><strong>The Same Thing<\/strong> \u2013 Willie Dixon \u2013 5:10<\/li>\n<\/ol>\n<h4>Side B<\/h4>\n<ol>\n<li><strong>Indian Blues<\/strong> \u2013 Wolfgang Bernreuther \u2013 3:29<\/li>\n<li><strong>I Still Miss Someone<\/strong> \u2013 Johnny Cash \/ Roy Cash \u2013 3:06<\/li>\n<li><strong>Slowly Drivin&#8217; Me Mad<\/strong> \u2013 Wolfgang Bernreuther \u2013 3:53<\/li>\n<li><strong>Blinded By The Night<\/strong> \u2013 Wolfgang Bernreuther \u2013 3:00<\/li>\n<li><strong>For Ole<\/strong> \u2013 Wolfgang Bernreuther \u2013 3:50<\/li>\n<\/ol>\n<p>Tracklistul \u0219i duratele sunt confirmate de edi\u021biile dedicate proiectului. <\/p>\n<h3>Detalii tehnice<\/h3>\n<table>\n<tbody>\n<tr>\n<td><strong>Arti\u0219ti<\/strong><\/td>\n<td>Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban<\/td>\n<\/tr>\n<tr>\n<td><strong>Titlu<\/strong><\/td>\n<td>Live From Auditorium Hamburg<\/td>\n<\/tr>\n<tr>\n<td><strong>Format<\/strong><\/td>\n<td>Master Quality Reel-to-Reel Tape<\/td>\n<\/tr>\n<tr>\n<td><strong>Label \/ produc\u021bie<\/strong><\/td>\n<td>STS Analog \/ STS Premium High End Recording<\/td>\n<\/tr>\n<tr>\n<td><strong>\u00cenregistrare<\/strong><\/td>\n<td>Live, Auditorium Hamburg<\/td>\n<\/tr>\n<tr>\n<td><strong>Proces de \u00eenregistrare<\/strong><\/td>\n<td>Analog, captur\u0103 direct pe band\u0103<\/td>\n<\/tr>\n<tr>\n<td><strong>Recorder<\/strong><\/td>\n<td>Nagra 4S Stereo<\/td>\n<\/tr>\n<tr>\n<td><strong>Microfoane<\/strong><\/td>\n<td>Schoeps<\/td>\n<\/tr>\n<tr>\n<td><strong>Cabluri<\/strong><\/td>\n<td>Siltech<\/td>\n<\/tr>\n<tr>\n<td><strong>Wolfgang Bernreuther<\/strong><\/td>\n<td>Voce, chitar\u0103 acustic\u0103, chitar\u0103 resofonic\u0103<\/td>\n<\/tr>\n<tr>\n<td><strong>G\u00f6tz Kelling-Urban<\/strong><\/td>\n<td>Violoncel<\/td>\n<\/tr>\n<tr>\n<td><strong>Violoncel<\/strong><\/td>\n<td>Nicolas Darche, 1847<\/td>\n<\/tr>\n<tr>\n<td><strong>Num\u0103r piese<\/strong><\/td>\n<td>10<\/td>\n<\/tr>\n<tr>\n<td><strong>Gen<\/strong><\/td>\n<td>Blues \/ Acoustic Blues<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Pentru colec\u021bionarul de band\u0103 analogic\u0103<\/h3>\n<p><strong>Live From Auditorium Hamburg<\/strong> este una dintre acele produc\u021bii \u00een care simplitatea devine un avantaj.<\/p>\n<p>Doi muzicieni. Voce, chitar\u0103 \u0219i violoncel. Un concert real. O \u00eenc\u0103pere real\u0103. \u0218i o captur\u0103 analogic\u0103 realizat\u0103 de o echip\u0103 care a pus naturale\u021bea \u00eenaintea complexit\u0103\u021bii.<\/p>\n<p>Nu este o band\u0103 pe care o cumperi doar pentru a demonstra c\u00e2t de bun este magnetofonul t\u0103u.<\/p>\n<p><strong>Este o band\u0103 pe care o po\u021bi pune pentru muzic\u0103.<\/strong><\/p>\n<p>Iar atunci c\u00e2nd un sistem high-end este capabil s\u0103 redea corect spa\u021biul, textura corzilor \u0219i prezen\u021ba vocii, se \u00eent\u00e2mpl\u0103 exact ceea ce trebuie s\u0103 se \u00eent\u00e2mple: pentru c\u00e2teva minute, tehnologia dispare.<\/p>\n<p><strong>R\u0103m\u00e2n Wolfgang Bernreuther, G\u00f6tz Kelling-Urban \u0219i senza\u021bia c\u0103 e\u0219ti chiar \u00een Auditorium Hamburg, \u00een mijlocul unei seri de blues.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg Dou\u0103 instrumente. Doi muzicieni. O \u00eenc\u0103pere. \u0218i o \u00eenregistrare care<\/p>\n","protected":false},"featured_media":13990,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[163],"product_cat":[37,40],"product_tag":[],"class_list":["post-13883","product","type-product","status-publish","has-post-thumbnail","product_brand-sts-analog-sts-digital","product_cat-inregistrari-audio","product_cat-muzica-banda-magnetofon","first","outofstock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>STS Banda Magnetofon Live From Auditorium Hamburg - Audio Enterprise<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audio-enterprise.ro\/aes\/product\/banda-magnetofon-live-from-auditorium-hamburg\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STS Banda Magnetofon Live From Auditorium Hamburg - Audio Enterprise\" \/>\n<meta property=\"og:description\" content=\"Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg Dou\u0103 instrumente. 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