{"id":15694,"date":"2026-05-20T15:47:39","date_gmt":"2026-05-20T15:47:39","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/product\/cd-j-s-bach\/"},"modified":"2026-09-10T11:15:53","modified_gmt":"2026-09-10T11:15:53","slug":"cd-j-s-bach","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/cd-j-s-bach\/","title":{"rendered":"CD J.S. Bach"},"content":{"rendered":"

J.S. Bach \u2013 Toccatas et Fugues \u2013 Jean Guillou aux Grandes Orgues de Breda<\/h2>\n

O org\u0103 monumental\u0103, un repertoriu care nu are nevoie de prezentare \u0219i unul dintre cei mai spectaculo\u0219i organi\u0219ti ai genera\u021biei sale. \u201eToccatas et Fugues\u201d \u00eel aduce pe Jean Guillou \u00een fa\u021ba marii orgi din Catedrala Breda, \u00eentr-o \u00eenregistrare care transform\u0103 spa\u021biul, rezonan\u021ba \u0219i for\u021ba instrumentului \u00een parte din muzic\u0103.<\/strong><\/p>\n

Exist\u0103 \u00eenregistr\u0103ri de org\u0103 pe care le ascul\u021bi pentru interpretare.<\/p>\n

\u0218i exist\u0103 \u00eenregistr\u0103ri pe care le ascul\u021bi pentru a descoperi instrumentul \u00een \u00eentregul s\u0103u spa\u021biu<\/strong>.<\/p>\n

J.S. Bach \u2013 Toccatas et Fugues<\/em>, \u00een interpretarea lui Jean Guillou<\/strong>, apar\u021bine celei de-a doua categorii.<\/p>\n

Aici nu este vorba doar despre Bach.<\/p>\n

Nu este vorba doar despre Jean Guillou.<\/p>\n

\u0218i nici m\u0103car doar despre orga din Breda.<\/p>\n

Este vorba despre \u00eent\u00e2lnirea dintre toate trei.<\/p>\n

Rezultatul este o \u00eenregistrare \u00een care fiecare acord pare s\u0103 deschid\u0103 \u00eenc\u0103 o dimensiune a \u00eenc\u0103perii.<\/p>\n

Jean Guillou \u2013 Bach f\u0103r\u0103 limite conven\u021bionale<\/h3>\n

Jean Guillou (1930\u20132019)<\/strong> a fost unul dintre cei mai importan\u021bi organi\u0219ti francezi ai secolului XX, cunoscut nu doar pentru virtuozitatea sa, ci \u0219i pentru abordarea sa extrem de personal\u0103 asupra repertoriului pentru org\u0103.<\/p>\n

Interpretarea lui Bach de pe acest album este bazat\u0103 pe edi\u021bia Leipzig Neue Bach-Ausgabe<\/strong>, \u00eens\u0103 Guillou nu trateaz\u0103 partitura ca pe o formul\u0103 rigid\u0103.<\/p>\n

Stilul s\u0103u este descris drept inovator, neconven\u021bional \u0219i puternic influen\u021bat de capacitatea sa de improviza\u021bie<\/strong>. Tocmai aceast\u0103 combina\u021bie dintre respectul pentru partitur\u0103 \u0219i libertatea interpretativ\u0103 \u00eei ofer\u0103 acestor lucr\u0103ri o energie aparte. :contentReference[oaicite:1]{index=1}<\/p>\n

Guillou a fost, de asemenea, profund implicat \u00een proiectarea \u0219i dezvoltarea unor orgi pentru catedrale \u0219i s\u0103li de concert din Europa, fiind preocupat de felul \u00een care arhitectura instrumentului poate extinde posibilit\u0103\u021bile muzicale.<\/p>\n

\u00cenregistrarea de la Breda este, din acest punct de vedere, aproape ideal\u0103.<\/p>\n

O org\u0103 monumental\u0103 \u00een Catedrala Breda<\/h3>\n

\u00cen centrul albumului se afl\u0103 marea org\u0103 din Catedrala Breda<\/strong>, una dintre orgile importante ale \u021a\u0103rilor de Jos.<\/p>\n

Este un instrument care poate produce o gam\u0103 enorm\u0103 de culori \u0219i niveluri de energie.<\/p>\n

De la cele mai fine registre p\u00e2n\u0103 la for\u021ba impresionant\u0103 a pedalelor grave, orga poate umple \u00eentreaga catedral\u0103.<\/p>\n

Iar acest lucru este esen\u021bial pentru aceast\u0103 \u00eenregistrare.<\/p>\n

Pentru c\u0103 aici acustica nu este un efect ad\u0103ugat peste muzic\u0103<\/strong>.<\/p>\n

Acustica este parte din muzic\u0103.<\/p>\n

Atunci c\u00e2nd Jean Guillou apas\u0103 o pedal\u0103 grav\u0103, nu auzi doar o frecven\u021b\u0103 joas\u0103.<\/p>\n

Auzi \u0219i spa\u021biul \u00een care acea frecven\u021b\u0103 se propag\u0103.<\/p>\n

C\u00e2nd un acord se \u00eencheie, muzica nu dispare instantaneu.<\/p>\n

R\u0103m\u00e2ne ecoul.<\/p>\n

R\u0103m\u00e2ne aerul.<\/p>\n

R\u0103m\u00e2ne catedrala.<\/p>\n

\u00cenregistrarea din noiembrie 1984<\/h3>\n

Sesiunea a fost realizat\u0103 \u00een perioada 15\u201317 noiembrie 1984<\/strong>, la orga Catedralei Breda. Albumul original a fost lansat \u00een 1985 de Disques Pierre Verany<\/strong>. :contentReference[oaicite:2]{index=2}<\/p>\n

Este o \u00eenregistrare care a r\u0103mas interesant\u0103 pentru colec\u021bionarii de muzic\u0103 clasic\u0103 \u0219i, \u00een special, pentru pasiona\u021bii de reproduceri audio de \u00eenalt\u0103 fidelitate.<\/p>\n

Motivul este simplu.<\/p>\n

Orga este unul dintre cele mai dificile instrumente de reprodus corect.<\/strong><\/p>\n

Are extensie extrem\u0103 \u00een frecven\u021bele joase, armonice complexe, atacuri rapide \u0219i o cantitate enorm\u0103 de informa\u021bie ambiental\u0103.<\/p>\n

Dac\u0103 \u00eenregistrarea sau sistemul audio nu sunt capabile s\u0103 p\u0103streze aceste elemente, experien\u021ba se poate reduce la un sunet mare \u0219i confuz.<\/p>\n

C\u00e2nd totul este corect, \u00eens\u0103, rezultatul poate fi spectaculos.<\/p>\n

Toccata \u0219i Fuga \u00een Re minor BWV 565<\/h3>\n

Albumul \u00eencepe cu una dintre cele mai cunoscute lucr\u0103ri pentru org\u0103 din \u00eentreaga istorie a muzicii:<\/p>\n

Toccata \u0219i Fuga \u00een Re minor, BWV 565.<\/strong><\/p>\n

Primele acorduri sunt suficiente pentru a demonstra dimensiunea instrumentului.<\/p>\n

Dar interpretarea lui Guillou nu transform\u0103 piesa \u00eentr-un simplu exerci\u021biu de spectacol.<\/p>\n

Exist\u0103 for\u021b\u0103, dar exist\u0103 \u0219i control.<\/p>\n

Exist\u0103 dramatism, dar exist\u0103 \u0219i arhitectur\u0103 muzical\u0103.<\/p>\n

Este exact genul de interpretare \u00een care \u00eencepi s\u0103 \u00een\u021belegi de ce orga este at\u00e2t de important\u0103 \u00een repertoriul lui Bach.<\/p>\n

Toccata \u0219i Fuga \u00een Fa major BWV 540<\/h3>\n

BWV 540<\/strong> extinde \u0219i mai mult dimensiunea muzical\u0103.<\/p>\n

Construc\u021bia contrapunctic\u0103 a lui Bach devine aici o adev\u0103rat\u0103 demonstra\u021bie de control asupra instrumentului.<\/p>\n

Fiecare linie trebuie s\u0103 r\u0103m\u00e2n\u0103 inteligibil\u0103, chiar atunci c\u00e2nd \u00eentregul ansamblu devine monumental.<\/p>\n

Jean Guillou reu\u0219e\u0219te s\u0103 p\u0103streze aceast\u0103 claritate \u00een interiorul unei prezent\u0103ri sonore de mari dimensiuni.<\/p>\n

Toccata, Adagio \u0219i Fuga \u00een Do major BWV 564<\/h3>\n

BWV 564<\/strong> ofer\u0103 poate cea mai interesant\u0103 succesiune de contraste a albumului.<\/p>\n

Toccata, partea lent\u0103 \u0219i fuga creeaz\u0103 trei perspective diferite asupra aceluia\u0219i instrument.<\/p>\n

\u00cen Adagio<\/em>, orga poate deveni aproape intim\u0103.<\/p>\n

\u00cen celelalte sec\u021biuni, aceea\u0219i org\u0103 poate umple spa\u021biul cu o energie complet diferit\u0103.<\/p>\n

Acest contrast este una dintre marile calit\u0103\u021bi ale \u00eenregistr\u0103rii.<\/p>\n

Toccata \u0219i Fuga \u00een Re minor \u201eDorian\u201d BWV 538<\/h3>\n

BWV 538<\/strong>, cunoscut\u0103 drept \u201eDorian\u201d<\/em>, \u00eencheie programul.<\/p>\n

Este o lucrare construit\u0103 \u00een jurul contrapunctului \u0219i al unei arhitecturi muzicale extrem de riguroase.<\/p>\n

\u00cen interpretarea lui Guillou, liniile se dezvolt\u0103 \u00eentr-un spa\u021biu larg, iar rezonan\u021ba catedralei contribuie la senza\u021bia de amploare.<\/p>\n

Este un final care demonstreaz\u0103 foarte bine ce poate face o org\u0103 mare atunci c\u00e2nd este interpretat\u0103 de un muzician capabil s\u0103 controleze at\u00e2t detaliul, c\u00e2t \u0219i masa sonor\u0103.<\/p>\n

De ce este aceast\u0103 \u00eenregistrare at\u00e2t de interesant\u0103 pentru audiofili?<\/h3>\n

Orga este unul dintre cele mai bune teste pentru un sistem Hi-Fi.<\/p>\n

Nu pentru c\u0103 trebuie s\u0103 sune \u201etare\u201d.<\/p>\n

Ci pentru c\u0103 \u00eei cere sistemului s\u0103 reproduc\u0103 simultan foarte multe informa\u021bii<\/strong>.<\/p>\n

Un sistem bun trebuie s\u0103 poat\u0103 reda frecven\u021bele joase profunde f\u0103r\u0103 s\u0103 piard\u0103 claritatea registrului superior.<\/p>\n

Trebuie s\u0103 p\u0103streze diferen\u021ba dintre sunetul direct \u0219i reverbera\u021bia \u00eenc\u0103perii.<\/p>\n

Trebuie s\u0103 ofere suficient\u0103 dinamic\u0103 pentru ca pasajele puternice s\u0103 r\u0103m\u00e2n\u0103 controlate.<\/p>\n

\u0218i, mai ales, trebuie s\u0103 p\u0103streze dimensiunea spa\u021biului<\/strong>.<\/p>\n

Ce po\u021bi testa cu acest CD?<\/h3>\n
    \n
  • Extensia \u00een frecven\u021bele joase<\/strong> \u2013 pedalele orgii pot cobor\u00ee foarte ad\u00e2nc \u00een registrul grav.<\/li>\n
  • Controlul bass-ului<\/strong> \u2013 frecven\u021bele joase trebuie s\u0103 fie ferme, nu umflate sau neclare.<\/li>\n
  • Microdinamica<\/strong> \u2013 diferen\u021bele dintre registrele \u0219i pasajele mai delicate.<\/li>\n
  • Macrodinamica<\/strong> \u2013 trecerea de la pasaje calme la explozii orchestrale ale orgii.<\/li>\n
  • Scena sonor\u0103<\/strong> \u2013 dimensiunea instrumentului \u0219i a catedralei.<\/li>\n
  • Profunzimea<\/strong> \u2013 rela\u021bia dintre sursa direct\u0103 \u0219i reverbera\u021bia \u00eenc\u0103perii.<\/li>\n
  • Decay-ul<\/strong> \u2013 felul \u00een care notele dispar \u00een spa\u021biul catedralei.<\/li>\n
  • Separarea registrelor<\/strong> \u2013 c\u00e2t de bine poate sistemul s\u0103 p\u0103streze inteligibile diferitele voci ale orgii.<\/li>\n<\/ul>\n

    Este, de asemenea, un disc excelent pentru a verifica dac\u0103 sistemul poate reproduce senza\u021bia fizic\u0103 a aerului pus \u00een mi\u0219care de org\u0103<\/strong>.<\/p>\n

    De la masterul original la UHQCD<\/h3>\n

    Edi\u021bia prezentat\u0103 aici este AudioNautes Recordings AN-2105-UHQ<\/strong>, o versiune UHQCD<\/strong> realizat\u0103 \u00een 2022. Catalogul edi\u021biei men\u021bioneaz\u0103 transferul din sursa master original\u0103, realizat de Miles Showell la Abbey Road Studios<\/strong>, urmat de preg\u0103tirea fi\u0219ierelor digitale de c\u0103tre Stefano Cappelli<\/strong>. Masteringul edi\u021biei este creditat lui Pietro Benini, Fabio Fornari \u0219i Fabio Camorani<\/strong>, la TOP Studio. :contentReference[oaicite:3]{index=3}<\/p>\n

    Este important\u0103 diferen\u021ba dintre \u00eenregistrarea original\u0103 \u0219i edi\u021bia actual\u0103.<\/p>\n

    Nu vorbim despre o nou\u0103 interpretare.<\/p>\n

    Nu vorbim despre o nou\u0103 sesiune.<\/p>\n

    Vorbim despre aceea\u0219i interpretare istoric\u0103 a lui Jean Guillou<\/strong>, prezentat\u0103 \u00eentr-o edi\u021bie AudioNautes modern\u0103, realizat\u0103 pornind de la sursa master original\u0103.<\/p>\n

    Ce \u00eenseamn\u0103 UHQCD?<\/h3>\n

    UHQCD \u2013 Ultimate High Quality CD<\/strong> este formatul premium folosit pentru aceast\u0103 edi\u021bie.<\/p>\n

    Discul este fabricat \u00een Japonia \u0219i folose\u0219te tehnologia UHQCD, fiind compatibil cu playerele CD conven\u021bionale. Edi\u021bia este prezentat\u0103 ca Silver Alloy UHQCD<\/strong>, \u00eentr-un ambalaj premium cu booklet. :contentReference[oaicite:4]{index=4}<\/p>\n

    Pentru un album de org\u0103, unde diferen\u021bele de nivel, reverbera\u021bia \u0219i informa\u021bia ambiental\u0103 sunt at\u00e2t de importante, p\u0103strarea informa\u021biei din sursa master este esen\u021bial\u0103.<\/p>\n

    O \u00eenregistrare aproape \u201earhitectural\u0103\u201d<\/h3>\n

    Poate cel mai frumos mod de a descrie acest album este s\u0103 spui c\u0103 nu ascul\u021bi doar un instrument.<\/p>\n

    Ascul\u021bi un instrument \u00eentr-o cl\u0103dire.<\/strong><\/p>\n

    \u0218i cele dou\u0103 sunt imposibil de separat.<\/p>\n

    Orga din Breda are o identitate proprie.<\/p>\n

    Catedrala are o identitate acustic\u0103 proprie.<\/p>\n

    Jean Guillou are o identitate interpretativ\u0103 proprie.<\/p>\n

    \u00cenregistrarea le p\u0103streaz\u0103 \u00eempreun\u0103.<\/p>\n

    De aceea, c\u00e2nd un acord se termin\u0103, nu ai senza\u021bia c\u0103 totul se opre\u0219te.<\/p>\n

    Sunetul continu\u0103 s\u0103 tr\u0103iasc\u0103 \u00een spa\u021biu.<\/p>\n

    Tracklist<\/h3>\n
      \n
    1. Toccata and Fugue in D Minor, BWV 565<\/strong> \u2013 Johann Sebastian Bach<\/li>\n
    2. Toccata and Fugue in F Major, BWV 540<\/strong> \u2013 Johann Sebastian Bach<\/li>\n
    3. Toccata and Fugue in E Major, BWV 566<\/strong> \u2013 Johann Sebastian Bach<\/li>\n
    4. Toccata, Adagio and Fugue in C Major, BWV 564<\/strong> \u2013 Johann Sebastian Bach<\/li>\n
    5. Toccata and Fugue in D Minor \u201eDorian\u201d, BWV 538<\/strong> \u2013 Johann Sebastian Bach<\/li>\n<\/ol>\n

      Programul de cinci lucr\u0103ri este confirmat de cataloagele edi\u021biei AudioNautes AN-2105-UHQ. :contentReference[oaicite:5]{index=5}<\/p>\n

      Detalii edi\u021bie<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
      Album<\/th>\nJ.S. Bach \u2013 Toccatas et Fugues<\/em><\/th>\n<\/tr>\n<\/thead>\n
      Compozitor<\/td>\nJohann Sebastian Bach<\/td>\n<\/tr>\n
      Artist<\/td>\nJean Guillou<\/td>\n<\/tr>\n
      Loca\u021bie<\/td>\nGrand Organ, Breda Cathedral, Olanda<\/td>\n<\/tr>\n
      Label<\/td>\nAudioNautes Recordings<\/td>\n<\/tr>\n
      Catalog<\/td>\nAN-2105-UHQ<\/td>\n<\/tr>\n
      EAN<\/td>\n0796519950362<\/td>\n<\/tr>\n
      Format<\/td>\n1\u00d7 UHQCD<\/td>\n<\/tr>\n
      Tip<\/td>\nUltimate High Quality CD<\/td>\n<\/tr>\n
      Mastering<\/td>\nPietro Benini, Fabio Fornari & Fabio Camorani \u2013 TOP Studio<\/td>\n<\/tr>\n
      Transfer master original<\/td>\nMiles Showell \u2013 Abbey Road Studios<\/td>\n<\/tr>\n
      Preg\u0103tire date digitale<\/td>\nStefano Cappelli \u2013 Creative Mastering<\/td>\n<\/tr>\n
      \u00cenregistrare original\u0103<\/td>\n15\u201317 noiembrie 1984<\/td>\n<\/tr>\n
      Lansare original\u0103<\/td>\n1985 \u2013 Disques Pierre Verany<\/td>\n<\/tr>\n
      Edi\u021bie AudioNautes<\/td>\n2022<\/td>\n<\/tr>\n
      Produc\u021bie<\/td>\nAudioNautes Recordings, Italia<\/td>\n<\/tr>\n
      Fabricat<\/td>\nJaponia<\/td>\n<\/tr>\n
      Edi\u021bie<\/td>\nLimitat\u0103 \u0219i numerotat\u0103<\/td>\n<\/tr>\n
      Gen<\/td>\nMuzic\u0103 clasic\u0103 \/ Baroc \/ Orga<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

      De ce merit\u0103 \u00een colec\u021bia unui pasionat de muzic\u0103 clasic\u0103 \u0219i Hi-Fi?<\/h3>\n

      J.S. Bach \u2013 Toccatas et Fugues<\/em> este un album \u00een care muzica, instrumentul \u0219i spa\u021biul de \u00eenregistrare devin un singur lucru<\/strong>.<\/p>\n

      Ai Bach.<\/p>\n

      Ai Jean Guillou.<\/p>\n

      Ai una dintre marile orgi ale \u021a\u0103rilor de Jos.<\/p>\n

      Ai acustica unei catedrale.<\/p>\n

      \u0218i ai o \u00eenregistrare realizat\u0103 \u00een 1984, readus\u0103 \u00een catalogul AudioNautes printr-o edi\u021bie UHQCD transferat\u0103 din sursa master original\u0103. :contentReference[oaicite:6]{index=6}<\/p>\n

      Este un disc pentru cei care vor s\u0103 aud\u0103 mai mult dec\u00e2t notele lui Bach.<\/p>\n

      Vor s\u0103 aud\u0103 dimensiunea instrumentului<\/strong>.<\/p>\n

      Vor s\u0103 aud\u0103 spa\u021biul<\/strong>.<\/p>\n

      Vor s\u0103 simt\u0103 gravitatea orgii<\/strong> \u0219i s\u0103 urm\u0103reasc\u0103 \u00een acela\u0219i timp precizia contrapunctului.<\/p>\n

      Un titlu AudioNautes esen\u021bial pentru orice colec\u021bie serioas\u0103 de muzic\u0103 clasic\u0103 \u0219i una dintre acele \u00eenregistr\u0103ri care pot deveni rapid un reper pentru evaluarea unui sistem Hi-Fi.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

      J.S. Bach \u2013 Toccatas et Fugues \u2013 Jean Guillou aux Grandes Orgues de Breda O org\u0103 monumental\u0103, un repertoriu care<\/p>\n","protected":false},"featured_media":13855,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[162],"product_cat":[37,38],"product_tag":[],"class_list":["post-15694","product","type-product","status-publish","has-post-thumbnail","product_brand-audio-nautes-recordings","product_cat-inregistrari-audio","product_cat-muzica-cd","first","instock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nCD J.S. 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