{"id":15707,"date":"2026-05-20T15:47:40","date_gmt":"2026-05-20T15:47:40","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/product\/cd-jazz-masters-volume-3\/"},"modified":"2026-09-02T11:26:41","modified_gmt":"2026-09-02T11:26:41","slug":"cd-jazz-masters-volume-3","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/cd-jazz-masters-volume-3\/","title":{"rendered":"CD Jazz Masters Volume 3"},"content":{"rendered":"<h2>Jazz Masters \u2013 Legendary Jazz Recordings Volume 3<\/h2>\n<p><strong>Peter Beets Trio, trei muzicieni, opt compozi\u021bii \u0219i acel tip de jazz \u00een care pianul, contrabasul \u0219i bateria nu sunt doar instrumente separate, ci trei voci care comunic\u0103 permanent.<\/strong><\/p>\n<p>Jazzul adev\u0103rat nu se \u00eent\u00e2mpl\u0103 doar pe portativ.<\/p>\n<p>Se \u00eent\u00e2mpl\u0103 \u00eentre muzicieni.<\/p>\n<p>\u00centr-o privire, \u00eentr-o pauz\u0103, \u00eentr-o schimbare de ritm sau \u00eentr-o fraz\u0103 care se termin\u0103 exact atunci c\u00e2nd cel\u0103lalt \u00eencepe.<\/p>\n<p><em>Jazz Masters \u2013 Legendary Jazz Recordings Volume 3<\/em> este construit \u00een jurul acestei rela\u021bii.<\/p>\n<p>\u00cen centrul albumului se afl\u0103 <strong>Peter Beets Trio<\/strong>: <strong>Peter Beets<\/strong> la pian, <strong>Marius Beets<\/strong> la contrabas \u0219i legendarul baterist american <strong>Jeff Hamilton<\/strong>. Este o formul\u0103 de trio extrem de direct\u0103, f\u0103r\u0103 o orchestr\u0103 care s\u0103 ascund\u0103 detaliile \u0219i f\u0103r\u0103 straturi inutile \u00eentre muzician \u0219i ascult\u0103tor. <\/p>\n<h3>Trei instrumente, o singur\u0103 conversa\u021bie<\/h3>\n<p>Un trio de jazz este unul dintre cele mai dificile formate de reprodus conving\u0103tor.<\/p>\n<p>Pianul trebuie s\u0103 aib\u0103 greutate \u0219i atac. Contrabasul trebuie s\u0103 p\u0103streze textura corzilor \u0219i fundamentul ritmic. Bateria trebuie s\u0103 aib\u0103 energie, dar \u0219i fine\u021bea necesar\u0103 pentru a reda fiecare atingere a cinelelor \u0219i fiecare schimbare de dinamic\u0103.<\/p>\n<p>\u0218i, mai presus de toate, cele trei instrumente trebuie s\u0103 r\u0103m\u00e2n\u0103 <strong>legate \u00eentr-un singur spa\u021biu acustic<\/strong>.<\/p>\n<p>Exact acest lucru face ca <em>Jazz Masters Vol. 3<\/em> s\u0103 fie interesant at\u00e2t muzical, c\u00e2t \u0219i pentru un pasionat de Hi-Fi.<\/p>\n<h3>Peter Beets \u2013 pianul \u00een centrul scenei<\/h3>\n<p><strong>Peter Beets<\/strong> este unul dintre cei mai aprecia\u021bi piani\u0219ti de jazz din \u021a\u0103rile de Jos.<\/p>\n<p>Pe acest album, pianul nu este tratat ca un simplu instrument melodic. El conduce conversa\u021bia, schimb\u0103 direc\u021bia \u0219i las\u0103 suficient spa\u021biu pentru ca bassul \u0219i bateria s\u0103 r\u0103spund\u0103.<\/p>\n<p>Un pian bine \u00eenregistrat este unul dintre cele mai bune teste pentru un sistem audio: trebuie s\u0103 po\u021bi percepe atacul cioc\u0103nelelor, corpul instrumentului \u0219i rezonan\u021ba lui, f\u0103r\u0103 ca sunetul s\u0103 devin\u0103 metalic sau artificial.<\/p>\n<h3>Marius Beets \u2013 funda\u021bia ritmic\u0103<\/h3>\n<p>La contrabas se afl\u0103 <strong>Marius Beets<\/strong>.<\/p>\n<p>Rolul lui este mult mai important dec\u00e2t simpla sus\u021binere a armoniei. Contrabasul creeaz\u0103 funda\u021bia peste care pianul poate construi, dar particip\u0103 \u00een permanen\u021b\u0103 la conversa\u021bia muzical\u0103.<\/p>\n<p>\u00centr-o reproducere bun\u0103, trebuie s\u0103 po\u021bi auzi nu doar frecven\u021ba joas\u0103 a instrumentului, ci \u0219i <strong>corpul lemnului, textura corzilor \u0219i atacul degetelor<\/strong>.<\/p>\n<h3>Jeff Hamilton \u2013 energia bateriei<\/h3>\n<p>La baterie \u00eel g\u0103sim pe <strong>Jeff Hamilton<\/strong>, unul dintre marii bateri\u0219ti ai jazzului american.<\/p>\n<p>Prezen\u021ba lui schimb\u0103 imediat caracterul trio-ului.<\/p>\n<p>Hamilton nu este doar un metronom. Bateria lui particip\u0103 activ la construc\u021bia muzicii, iar diferen\u021bele dintre loviturile puternice \u0219i cele extrem de fine creeaz\u0103 o dinamic\u0103 permanent\u0103.<\/p>\n<p>Pentru un sistem Hi-Fi, aceasta \u00eenseamn\u0103 o ocazie excelent\u0103 de a verifica <strong>atacul, microdinamica, decay-ul \u0219i pozi\u021bionarea instrumentelor<\/strong>.<\/p>\n<h3>\u201eBlues for the Date\u201d<\/h3>\n<p>Albumul \u00eencepe cu <strong>\u201eBlues for the Date\u201d<\/strong>, o compozi\u021bie de Peter Beets.<\/p>\n<p>Este o introducere perfect\u0103 \u00een limbajul trio-ului: pianul conduce, contrabasul sus\u021bine \u0219i r\u0103spunde, iar bateria lui Jeff Hamilton creeaz\u0103 mi\u0219carea permanent\u0103 din spatele lor.<\/p>\n<p>Nu exist\u0103 senza\u021bia unei produc\u021bii supra\u00eenc\u0103rcate. Totul este clar \u0219i direct.<\/p>\n<h3>\u201eTricotism\u201d<\/h3>\n<p><strong>\u201eTricotism\u201d<\/strong>, compozi\u021bia lui Oscar Pettiford, aduce o doz\u0103 suplimentar\u0103 de energie.<\/p>\n<p>Este una dintre piesele \u00een care rela\u021bia dintre contrabas \u0219i baterie devine deosebit de important\u0103.<\/p>\n<p>Un sistem bun trebuie s\u0103 p\u0103streze ritmul viu \u0219i s\u0103 redea fiecare atac f\u0103r\u0103 s\u0103 transforme partea joas\u0103 \u00eentr-o mas\u0103 compact\u0103.<\/p>\n<h3>\u201eBebop\u201d<\/h3>\n<p>Cu <strong>\u201eBebop\u201d<\/strong>, albumul intr\u0103 direct \u00een teritoriul lui Dizzy Gillespie.<\/p>\n<p>Ritmul, frazarea \u0219i energia acestei compozi\u021bii ofer\u0103 trio-ului un teren ideal pentru improviza\u021bie.<\/p>\n<p>Aici po\u021bi observa c\u00e2t de repede se schimb\u0103 dinamica \u0219i c\u00e2t de bine trebuie s\u0103 \u021bin\u0103 pasul cele trei instrumente.<\/p>\n<h3>\u201eCon Alma\u201d<\/h3>\n<p><strong>\u201eCon Alma\u201d<\/strong>, tot de Dizzy Gillespie, aduce o alt\u0103 culoare armonic\u0103 \u0219i ritmic\u0103.<\/p>\n<p>Este o pies\u0103 care demonstreaz\u0103 c\u0103 un trio poate crea o scen\u0103 sonor\u0103 foarte bogat\u0103 f\u0103r\u0103 s\u0103 aib\u0103 nevoie de un ansamblu mare.<\/p>\n<p>Pianul \u0219i contrabasul p\u0103streaz\u0103 funda\u021bia, \u00een timp ce bateria contribuie la mi\u0219carea permanent\u0103 a piesei.<\/p>\n<h3>\u201eIt Has Happened\u201d<\/h3>\n<p><strong>\u201eIt Has Happened\u201d<\/strong> este o nou\u0103 compozi\u021bie semnat\u0103 de Peter Beets.<\/p>\n<p>Atmosfera devine mai melodic\u0103, iar rela\u021bia dintre pian \u0219i contrabas cap\u0103t\u0103 mai mult\u0103 intimitate.<\/p>\n<p>Este unul dintre momentele \u00een care po\u021bi aprecia cel mai bine <strong>textura pianului \u0219i naturale\u021bea contrabasului<\/strong>.<\/p>\n<h3>\u201eD\u00e9gag\u00e9\u201d<\/h3>\n<p>Cu <strong>\u201eD\u00e9gag\u00e9\u201d<\/strong>, Peter Beets continu\u0103 s\u0103 exploreze limbajul trio-ului.<\/p>\n<p>Piesa este construit\u0103 pe interac\u021biunea dintre cei trei muzicieni, iar bateria lui Hamilton ofer\u0103 permanent impulsul necesar pentru ca muzica s\u0103 r\u0103m\u00e2n\u0103 \u00een mi\u0219care.<\/p>\n<h3>\u201eGroovin\u2019 High\u201d<\/h3>\n<p><strong>\u201eGroovin\u2019 High\u201d<\/strong> este una dintre compozi\u021biile emblematice ale lui Dizzy Gillespie.<\/p>\n<p>Este poate unul dintre cele mai potrivite momente ale albumului pentru a \u00een\u021belege ce \u00eenseamn\u0103 un trio de jazz bine sudat.<\/p>\n<p>Nu ai impresia c\u0103 fiecare muzician c\u00e2nt\u0103 separat. Ai senza\u021bia unei <strong>singure conversa\u021bii cu trei voci<\/strong>.<\/p>\n<h3>\u201eFirst Song\u201d<\/h3>\n<p>Albumul se \u00eencheie cu <strong>\u201eFirst Song\u201d<\/strong>, complet\u00e2nd cele opt piese ale selec\u021biei.<\/p>\n<p>Dup\u0103 aproape \u00eentregul album petrecut \u00een mijlocul dialogului dintre pian, contrabas \u0219i baterie, aceast\u0103 ultim\u0103 pies\u0103 las\u0103 senza\u021bia unei sesiuni de jazz ascultate din apropierea muzicienilor.<\/p>\n<h3>De la master tape la CD<\/h3>\n<p>STS Digital descrie aceast\u0103 serie ca fiind bazat\u0103 pe \u00eenregistr\u0103ri de jazz prelucrate pornind de la <strong>master tape<\/strong>, iar pentru <em>Jazz Masters Vol. 3<\/em> materialul a fost \u00eenregistrat de STS Digital pe master tape \u0219i procesat prin propriul sistem <strong>MW<\/strong>. Inginerul de sunet este <strong>Fritz de With<\/strong>, iar masteringul \u0219i P\/Q coding-ul sunt creditate lui <strong>Peter Brussee \u2013 Q-point<\/strong>. <\/p>\n<p>Este important de remarcat c\u0103 sursele descriu acest proces, dar nu documenteaz\u0103 suficient de clar \u00eentregul lan\u021b pentru a-l prezenta drept o edi\u021bie \u201eAAA\u201d. Aici valoarea este \u00een <strong>calitatea \u00eenregistr\u0103rii \u0219i \u00een modul \u00een care STS p\u0103streaz\u0103 spa\u021biul \u0219i naturale\u021bea instrumentelor<\/strong>.<\/p>\n<h3>Filosofia STS Digital<\/h3>\n<p>STS porne\u0219te de la ideea c\u0103 un instrument trebuie s\u0103 primeasc\u0103 suficient spa\u021biu pentru a-\u0219i p\u0103stra sunetul original \u0219i c\u0103 o \u00eenregistrare bun\u0103 trebuie s\u0103 p\u0103streze \u0219i ambian\u021ba \u00eenc\u0103perii.<\/p>\n<p>\u00cen cazul unui trio de jazz, aceast\u0103 filosofie este esen\u021bial\u0103.<\/p>\n<p>Dac\u0103 microfoanele sunt prea apropiate sau scena este excesiv procesat\u0103, pianul, contrabasul \u0219i bateria pot deveni trei surse separate de sunet. Dac\u0103 spa\u021biul este p\u0103strat corect, ele devin <strong>trei muzicieni care c\u00e2nt\u0103 \u00een aceea\u0219i \u00eenc\u0103pere<\/strong>.<\/p>\n<p>Este exact genul de diferen\u021b\u0103 pe care un sistem Hi-Fi performant o poate face evident\u0103. <\/p>\n<h3>Ce po\u021bi testa cu acest CD?<\/h3>\n<p><em>Jazz Masters \u2013 Volume 3<\/em> este un material excelent pentru evaluarea:<\/p>\n<ul>\n<li><strong>naturalit\u0103\u021bii pianului;<\/strong><\/li>\n<li><strong>texturii \u0219i extensiei contrabasului;<\/strong><\/li>\n<li><strong>atacului \u0219i microdinamicii bateriei;<\/strong><\/li>\n<li><strong>separa\u021biei dintre cei trei muzicieni;<\/strong><\/li>\n<li><strong>profunzimii scenei stereo;<\/strong><\/li>\n<li><strong>ambian\u021bei \u0219i spa\u021biului de \u00eenregistrare;<\/strong><\/li>\n<li><strong>coeren\u021bei ritmice a sistemului.<\/strong><\/li>\n<\/ul>\n<p>Dar, ca \u0219i celelalte titluri din seria Jazz Masters, adev\u0103rata valoare este c\u0103 toate aceste calit\u0103\u021bi tehnice apar <strong>\u00een serviciul muzicii<\/strong>.<\/p>\n<h3>Tracklist<\/h3>\n<ol>\n<li><strong>Blues for the Date<\/strong> \u2013 Peter Beets<\/li>\n<li><strong>Tricotism<\/strong> \u2013 Oscar Pettiford<\/li>\n<li><strong>Bebop<\/strong> \u2013 Dizzy Gillespie<\/li>\n<li><strong>Con Alma<\/strong> \u2013 Dizzy Gillespie<\/li>\n<li><strong>It Has Happened<\/strong> \u2013 Peter Beets<\/li>\n<li><strong>D\u00e9gag\u00e9<\/strong> \u2013 Peter Beets<\/li>\n<li><strong>Groovin\u2019 High<\/strong> \u2013 Dizzy Gillespie<\/li>\n<li><strong>First Song<\/strong><\/li>\n<\/ol>\n<p>Selec\u021bia de opt piese este confirmat\u0103 de catalogul edi\u021biei \u0219i de mai multe surse specializate. <\/p>\n<h3>Detalii edi\u021bie<\/h3>\n<table>\n<thead>\n<tr>\n<th>Album<\/th>\n<th><em>Jazz Masters \u2013 Legendary Jazz Recordings Vol. 3<\/em><\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Label<\/td>\n<td>STS Digital<\/td>\n<\/tr>\n<tr>\n<td>Catalog<\/td>\n<td>6111131<\/td>\n<\/tr>\n<tr>\n<td>Format<\/td>\n<td>1\u00d7 CD<\/td>\n<\/tr>\n<tr>\n<td>Tip<\/td>\n<td>Reference Stereo CD<\/td>\n<\/tr>\n<tr>\n<td>Proces<\/td>\n<td>MW Mastering Coding Process<\/td>\n<\/tr>\n<tr>\n<td>\u00cenregistrare<\/td>\n<td>STS Digital \/ Master Tape<\/td>\n<\/tr>\n<tr>\n<td>Inginer de sunet<\/td>\n<td>Fritz de With<\/td>\n<\/tr>\n<tr>\n<td>Mastering \/ P-Q Coding<\/td>\n<td>Peter Brussee \u2013 Q-point<\/td>\n<\/tr>\n<tr>\n<td>Pian<\/td>\n<td>Peter Beets<\/td>\n<\/tr>\n<tr>\n<td>Contrabas<\/td>\n<td>Marius Beets<\/td>\n<\/tr>\n<tr>\n<td>Baterie<\/td>\n<td>Jeff Hamilton<\/td>\n<\/tr>\n<tr>\n<td>Piese<\/td>\n<td>8<\/td>\n<\/tr>\n<tr>\n<td>Gen<\/td>\n<td>Jazz \/ Bebop \/ Jazz Trio<\/td>\n<\/tr>\n<tr>\n<td>\u021aara<\/td>\n<td>\u021a\u0103rile de Jos<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>De ce merit\u0103 \u00een colec\u021bia unui pasionat de Hi-Fi?<\/h3>\n<p><em>Jazz Masters \u2013 Legendary Jazz Recordings Volume 3<\/em> este unul dintre acele albume \u00een care <strong>simplitatea formulei devine avantajul principal<\/strong>.<\/p>\n<p>Ai doar trei muzicieni, dar fiecare are un rol esen\u021bial. Peter Beets ofer\u0103 pianul \u0219i direc\u021bia armonic\u0103, Marius Beets construie\u0219te funda\u021bia, iar Jeff Hamilton aduce energia \u0219i dinamica bateriei.<\/p>\n<p>Opt piese sunt suficiente pentru a transforma albumul \u00eentr-o sesiune de jazz coerent\u0103, dar \u0219i \u00eentr-un material excelent pentru audi\u021bie Hi-Fi.<\/p>\n<p><strong>Un Reference CD STS Digital pentru iubitorii de jazz autentic, pentru cei care apreciaz\u0103 trio-urile de pian \u0219i pentru pasiona\u021bii de Hi-Fi care vor s\u0103 aud\u0103 pian, contrabas \u0219i baterie \u00eentr-o scen\u0103 stereo natural\u0103, aerisit\u0103 \u0219i plin\u0103 de via\u021b\u0103.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jazz Masters \u2013 Legendary Jazz Recordings Volume 3 Peter Beets Trio, trei muzicieni, opt compozi\u021bii \u0219i acel tip de jazz<\/p>\n","protected":false},"featured_media":16213,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[163],"product_cat":[37,38],"product_tag":[],"class_list":["post-15707","product","type-product","status-publish","has-post-thumbnail","product_brand-sts-analog-sts-digital","product_cat-inregistrari-audio","product_cat-muzica-cd","first","instock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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