{"id":15728,"date":"2026-05-20T15:47:42","date_gmt":"2026-05-20T15:47:42","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/product\/banda-magnetofon-live-from-auditorium-hamburg-2\/"},"modified":"2026-09-02T11:08:09","modified_gmt":"2026-09-02T11:08:09","slug":"banda-magnetofon-live-from-auditorium-hamburg-2","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/banda-magnetofon-live-from-auditorium-hamburg-2\/","title":{"rendered":"Banda Magnetofon Live From Auditorium Hamburg"},"content":{"rendered":"

Wolfgang Bernreuther & G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg<\/h2>\n

O \u00eent\u00e2lnire rar\u0103 \u00eentre blues, voce \u0219i violoncel, captat\u0103 live \u00een analog, \u00eentr-o \u00eenregistrare STS creat\u0103 pentru cei care vor s\u0103 simt\u0103 muzica, nu doar s\u0103 o aud\u0103.<\/strong><\/p>\n

Uneori, cele mai memorabile \u00eenregistr\u0103ri nu se nasc \u00eentr-un studio.<\/p>\n

Se nasc atunci c\u00e2nd doi muzicieni intr\u0103 \u00eentr-o \u00eenc\u0103pere, publicul este aproape, iar muzica \u00eencepe s\u0103 curg\u0103 f\u0103r\u0103 ca nimic s\u0103 stea \u00eentre interpret \u0219i ascult\u0103tor.<\/p>\n

Live From Auditorium Hamburg<\/em> este exact un astfel de album.<\/p>\n

Wolfgang Bernreuther<\/strong>, voce \u0219i chitar\u0103, \u0219i G\u00f6tz Kelling-Urban<\/strong>, violoncel, formeaz\u0103 un duo neobi\u0219nuit, dar remarcabil de natural. Blues-ul lui Bernreuther \u00eent\u00e2lne\u0219te profunzimea \u0219i textura violoncelului, iar rezultatul este o muzic\u0103 intim\u0103, organic\u0103 \u0219i profund expresiv\u0103.<\/p>\n

\u00cenregistrarea a fost realizat\u0103 live la Auditorium Hamburg<\/strong>, \u00een colaborare cu Auditorium GmbH, clearaudio \u0219i speciali\u0219tii olandezi de la STS Premium High End Recording<\/strong>. :contentReference[oaicite:1]{index=1}<\/p>\n

Dou\u0103 instrumente. O singur\u0103 \u00eenc\u0103pere.<\/h3>\n

La prima vedere, formula pare simpl\u0103: chitar\u0103 \u0219i violoncel.<\/p>\n

Dar tocmai aceast\u0103 simplitate face \u00eenregistrarea at\u00e2t de interesant\u0103.<\/p>\n

Nu exist\u0103 un ansamblu mare care s\u0103 umple spa\u021biul \u0219i s\u0103 ascund\u0103 detaliile. Nu exist\u0103 zeci de piste care s\u0103 construiasc\u0103 artificial atmosfera.<\/p>\n

Exist\u0103 vocea lui Wolfgang Bernreuther, chitara sa \u0219i violoncelul lui G\u00f6tz Kelling-Urban<\/strong>.<\/p>\n

Fiecare respira\u021bie, fiecare atac al corzilor \u0219i fiecare rezonan\u021b\u0103 a instrumentelor devin parte din poveste.<\/p>\n

Este genul de produc\u021bie \u00een care po\u021bi \u00eencepe s\u0103 percepi nu doar muzica, ci \u0219i rela\u021bia fizic\u0103 dintre instrumente \u0219i spa\u021biul \u00een care au fost \u00eenregistrate<\/strong>.<\/p>\n

Wolfgang Bernreuther \u2013 blues cu r\u0103d\u0103cini ad\u00e2nci<\/h3>\n

Wolfgang Bernreuther este un chitarist \u0219i vocalist german profund legat de tradi\u021bia bluesului.<\/p>\n

Influen\u021ba Mississippi blues este evident\u0103 \u00een interpretarea sa, iar experien\u021ba sa al\u0103turi de muzicieni importan\u021bi ai genului se simte \u00een felul \u00een care frazeaz\u0103 \u0219i las\u0103 muzica s\u0103 respire.<\/p>\n

Pe acest album, \u00eens\u0103, blues-ul este prezentat \u00eentr-o formul\u0103 neobi\u0219nuit de intim\u0103.<\/p>\n

Chitara acustic\u0103 \u0219i resofonic\u0103, \u00eempreun\u0103 cu vocea, creeaz\u0103 funda\u021bia, \u00een timp ce violoncelul adaug\u0103 o profunzime aproape cinematografic\u0103.<\/p>\n

G\u00f6tz Kelling-Urban \u2013 violoncelul care schimb\u0103 perspectiva<\/h3>\n

G\u00f6tz Kelling-Urban<\/strong> aduce \u00een aceast\u0103 \u00eent\u00e2lnire o voce instrumental\u0103 complet diferit\u0103.<\/p>\n

Violoncelul s\u0103u nu este folosit ca simplu acompaniament. El devine un partener egal al chitarei.<\/p>\n

Rezultatul este o combina\u021bie \u00een care corpul \u0219i rezonan\u021ba violoncelului se \u00eent\u00e2lnesc cu atacul \u0219i textura chitarei<\/strong>.<\/p>\n

Kelling-Urban c\u00e2nt\u0103 pe un violoncel realizat de Nicolas Darche \u00een 1847<\/strong>, un detaliu care adaug\u0103 \u0219i mai mult caracter acestei produc\u021bii. Bernreuther folose\u0219te chitare H\u00f6fner. :contentReference[oaicite:2]{index=2}<\/p>\n

\u201eAlabama Train\u201d<\/h3>\n

Albumul \u00eencepe cu \u201eAlabama Train\u201d<\/strong>, \u00een versiunea lui Wolfgang Bernreuther.<\/p>\n

Este o introducere perfect\u0103 \u00een universul discului: blues, voce \u0219i chitar\u0103, sus\u021binute de violoncel.<\/p>\n

Atacul corzilor \u0219i spa\u021biul dintre cele dou\u0103 instrumente devin imediat importante. Pe un sistem stereo bine pus la punct, aceast\u0103 simplitate poate deveni extrem de spectaculoas\u0103.<\/p>\n

\u201eThe Thrill Is Gone\u201d<\/h3>\n

Urmeaz\u0103 unul dintre cele mai cunoscute titluri ale bluesului: \u201eThe Thrill Is Gone\u201d<\/strong>, compus de Roy Hawkins \u0219i Rick Darnell.<\/p>\n

\u00cen aceast\u0103 interpretare, piesa cap\u0103t\u0103 un caracter mai intim dec\u00e2t \u00een versiunile cu forma\u021bii complete.<\/p>\n

Vocea \u0219i chitara r\u0103m\u00e2n \u00een prim-plan, iar violoncelul adaug\u0103 greutate \u0219i profunzime f\u0103r\u0103 s\u0103 distrug\u0103 spa\u021biul dintre instrumente.<\/p>\n

\u201eDrifting Blues\u201d<\/h3>\n

\u201eDrifting Blues\u201d<\/strong> continu\u0103 c\u0103l\u0103toria prin repertoriul clasic al bluesului.<\/p>\n

Aici se simte foarte bine felul \u00een care cei doi muzicieni las\u0103 muzica s\u0103 respire.<\/p>\n

Nu este o interpretare gr\u0103bit\u0103 sau \u00eenc\u0103rcat\u0103. Fiecare not\u0103 are timp s\u0103 apar\u0103, s\u0103 se dezvolte \u0219i s\u0103 dispar\u0103 natural.<\/p>\n

Pentru un audiofil, este exact genul de \u00eenregistrare \u00een care decay-ul, microdinamica \u0219i ambian\u021ba<\/strong> pot deveni la fel de importante ca nota propriu-zis\u0103.<\/p>\n

\u201eLittle Red Rooster\u201d<\/h3>\n

Cu \u201eLittle Red Rooster\u201d<\/strong> de Willie Dixon, duo-ul intr\u0103 \u00eentr-o zon\u0103 mai direct\u0103 \u0219i mai intens\u0103 a bluesului.<\/p>\n

Chitara are atac \u0219i caracter, iar violoncelul ofer\u0103 o contrapondere grav\u0103 \u0219i expresiv\u0103.<\/p>\n

Este o pies\u0103 care arat\u0103 c\u00e2t de mult\u0103 energie poate exista \u00eentr-o forma\u021bie alc\u0103tuit\u0103 din doar doi muzicieni.<\/p>\n

\u201eThe Same Thing\u201d<\/h3>\n

\u201eThe Same Thing\u201d<\/strong>, tot de Willie Dixon, continu\u0103 aceast\u0103 explorare a bluesului.<\/p>\n

Pe m\u0103sur\u0103 ce albumul avanseaz\u0103, devine din ce \u00een ce mai evident c\u0103 punctul forte al \u00eenregistr\u0103rii nu este complexitatea aranjamentului, ci interac\u021biunea dintre cei doi interpre\u021bi<\/strong>.<\/p>\n

Chitara \u0219i violoncelul se completeaz\u0103 f\u0103r\u0103 s\u0103 concureze, iar vocea le une\u0219te \u00eentr-un singur eveniment muzical.<\/p>\n

\u201eIndian Blues\u201d<\/h3>\n

Cu \u201eIndian Blues\u201d<\/strong>, Wolfgang Bernreuther aduce \u00een album o compozi\u021bie proprie.<\/p>\n

Piesa ofer\u0103 o schimbare de atmosfer\u0103 \u0219i arat\u0103 c\u0103 aceast\u0103 produc\u021bie nu este doar o colec\u021bie de standarde blues.<\/p>\n

Este \u0219i o demonstra\u021bie a personalit\u0103\u021bii muzicale a celor doi arti\u0219ti.<\/p>\n

\u201eI Still Miss Someone\u201d<\/h3>\n

\u201eI Still Miss Someone\u201d<\/strong>, compus\u0103 de Johnny Cash \u0219i Roy Cash, aduce o dimensiune mai melancolic\u0103.<\/p>\n

Vocea \u0219i instrumentele las\u0103 loc emo\u021biei, iar formula minimalist\u0103 a albumului devine aici un avantaj.<\/p>\n

Nu exist\u0103 nimic care s\u0103 ascund\u0103 interpretarea. Doar vocea, corzile \u0219i spa\u021biul dintre ele.<\/p>\n

\u201eSlowly Drivin’ Me Mad\u201d<\/h3>\n

\u201eSlowly Drivin’ Me Mad\u201d<\/strong> este o alt\u0103 compozi\u021bie Wolfgang Bernreuther.<\/p>\n

Piesa continu\u0103 explorarea rela\u021biei dintre blues \u0219i elementele mai personale ale compozi\u021biei sale.<\/p>\n

Este o demonstra\u021bie bun\u0103 pentru ceea ce face acest album special: muzica nu pare construit\u0103 pentru un sistem audio, ci sistemul audio trebuie s\u0103 se ridice la nivelul muzicii.<\/strong><\/p>\n

\u201eBlinded By The Night\u201d<\/h3>\n

Penultima pies\u0103, \u201eBlinded By The Night\u201d<\/strong>, p\u0103streaz\u0103 aceea\u0219i atmosfer\u0103 intim\u0103 \u0219i pune din nou \u00een valoare vocea \u0219i chitara lui Bernreuther.<\/p>\n

\u00cen jurul lor, violoncelul creeaz\u0103 profunzime \u0219i o senza\u021bie de spa\u021biu care diferen\u021biaz\u0103 aceast\u0103 produc\u021bie de o \u00eenregistrare blues conven\u021bional\u0103.<\/p>\n

\u201eFor Ole\u201d<\/h3>\n

Albumul se \u00eencheie cu \u201eFor Ole\u201d<\/strong>, o compozi\u021bie Wolfgang Bernreuther.<\/p>\n

Este un final potrivit pentru o \u00eenregistrare care a mizat de la \u00eenceput pe simplitate, autenticitate \u0219i interac\u021biune muzical\u0103.<\/p>\n

Dup\u0103 zece piese, r\u0103m\u00e2ne impresia unei seri \u00een care doi muzicieni au fost l\u0103sa\u021bi s\u0103 c\u00e2nte, iar tehnologia a avut un singur rol: s\u0103 p\u0103streze ceea ce s-a \u00eent\u00e2mplat \u00een \u00eenc\u0103pere<\/strong>.<\/p>\n

Captat live, \u00een analog<\/h3>\n

Aici se afl\u0103 una dintre cele mai importante particularit\u0103\u021bi ale albumului.<\/p>\n

\u00cenregistrarea a fost realizat\u0103 live de STS Digital<\/strong> folosind un sistem stereo Nagra 4S<\/strong>, cabluri Siltech<\/strong> \u0219i microfoane Schoeps<\/strong>. Sursele descriu produc\u021bia ca fiind realizat\u0103 pornind de la originale analogice \u0219i procesat\u0103 ulterior prin STS MW Coding pentru edi\u021bia digital\u0103. :contentReference[oaicite:3]{index=3}<\/p>\n

Pentru versiunea pe band\u0103 magnetofon<\/strong>, \u00eens\u0103, experien\u021ba devine \u0219i mai apropiat\u0103 de filosofia STS: o produc\u021bie conceput\u0103 \u00een jurul lan\u021bului analog \u0219i a red\u0103rii reel-to-reel.<\/p>\n

Este una dintre acele situa\u021bii \u00een care formatul nu este doar un suport pentru muzic\u0103, ci face parte din \u00eens\u0103\u0219i experien\u021ba de audi\u021bie.<\/p>\n

De ce func\u021bioneaz\u0103 at\u00e2t de bine pe band\u0103?<\/h3>\n

O \u00eenregistrare cu doar dou\u0103 instrumente este neiert\u0103toare.<\/p>\n

Dac\u0103 exist\u0103 probleme de timbru, faz\u0103, dinamic\u0103 sau spa\u021bialitate, acestea devin imediat evidente.<\/p>\n

\u00cen schimb, atunci c\u00e2nd captarea este f\u0103cut\u0103 corect, simplitatea poate deveni extraordinar de realist\u0103.<\/p>\n

Pe band\u0103, atacul chitarei, rezonan\u021ba violoncelului \u0219i vocea lui Bernreuther pot p\u0103stra o senza\u021bie foarte direct\u0103 de prezen\u021b\u0103 \u0219i corporalitate<\/strong>.<\/p>\n

Nu ai nevoie de un aranjament orchestral pentru a demonstra ce poate face un sistem High-End. Uneori sunt suficiente dou\u0103 instrumente \u0219i o voce.<\/p>\n

Tracklist<\/h3>\n
    \n
  1. Wolfgang Bernreuther \u2013 Alabama Train<\/strong> \u2013 4:07<\/li>\n
  2. Wolfgang Bernreuther \u2013 The Thrill Is Gone<\/strong> \u2013 5:27<\/li>\n
  3. Wolfgang Bernreuther \u2013 Drifting Blues<\/strong> \u2013 3:37<\/li>\n
  4. Wolfgang Bernreuther \u2013 Little Red Rooster<\/strong> \u2013 3:27<\/li>\n
  5. Wolfgang Bernreuther \u2013 The Same Thing<\/strong> \u2013 5:10<\/li>\n
  6. Wolfgang Bernreuther \u2013 Indian Blues<\/strong> \u2013 3:29<\/li>\n
  7. Johnny Cash \/ Roy Cash \u2013 I Still Miss Someone<\/strong> \u2013 3:06<\/li>\n
  8. Wolfgang Bernreuther \u2013 Slowly Drivin’ Me Mad<\/strong> \u2013 3:53<\/li>\n
  9. Wolfgang Bernreuther \u2013 Blinded By The Night<\/strong> \u2013 3:30<\/li>\n
  10. Wolfgang Bernreuther \u2013 For Ole<\/strong> \u2013 3:50<\/li>\n<\/ol>\n

    Lista de zece piese \u0219i duratele sunt confirmate de informa\u021biile publicate pentru albumul Live From Auditorium Hamburg<\/em>. :contentReference[oaicite:4]{index=4}<\/p>\n

    Detalii edi\u021bie<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
    Artist<\/th>\nWolfgang Bernreuther & G\u00f6tz Kelling-Urban<\/th>\n<\/tr>\n<\/thead>\n
    Album<\/td>\nLive From Auditorium Hamburg<\/em><\/td>\n<\/tr>\n
    Label<\/td>\nSTS Analog<\/td>\n<\/tr>\n
    Format<\/td>\nMaster Reel Tape<\/td>\n<\/tr>\n
    \u00cenregistrare<\/td>\nLive, Auditorium Hamburg<\/td>\n<\/tr>\n
    Tehnic\u0103 de \u00eenregistrare<\/td>\nAnalogic\u0103<\/td>\n<\/tr>\n
    Recording system<\/td>\nNagra 4S Stereo<\/td>\n<\/tr>\n
    Microfoane<\/td>\nSchoeps<\/td>\n<\/tr>\n
    Cabluri<\/td>\nSiltech<\/td>\n<\/tr>\n
    Proces STS<\/td>\nMW Coding pentru edi\u021biile digitale<\/td>\n<\/tr>\n
    Num\u0103r piese<\/td>\n10<\/td>\n<\/tr>\n
    Gen<\/td>\nBlues \/ Acoustic \/ Audiophile<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

    De ce merit\u0103 \u00een colec\u021bia unui pasionat de High-End?<\/h3>\n

    Live From Auditorium Hamburg<\/em> este una dintre acele benzi care demonstreaz\u0103 c\u0103 o produc\u021bie audiophile nu are nevoie de un ansamblu mare pentru a fi spectaculoas\u0103.<\/p>\n

    Ai o voce, o chitar\u0103 \u0219i un violoncel<\/strong>. At\u00e2t.<\/p>\n

    Dar tocmai aceast\u0103 simplitate permite sistemului s\u0103 dezv\u0103luie totul: atacul corzilor, textura lemnului, rezonan\u021ba violoncelului, respira\u021bia interpretului \u0219i spa\u021biul dintre cei doi muzicieni.<\/p>\n

    \u00cenregistrarea a fost remarcat\u0103 \u0219i de presa specializat\u0103 pentru combina\u021bia neobi\u0219nuit\u0103 de chitar\u0103 blues \u0219i violoncel \u0219i pentru calitatea capt\u0103rii realizate de STS. :contentReference[oaicite:5]{index=5}<\/p>\n

    O band\u0103 magnetofon pentru cei care caut\u0103 realism, prezen\u021b\u0103 \u0219i emo\u021bie autentic\u0103 \u2014 o experien\u021b\u0103 \u00een care blues-ul nu este doar ascultat, ci pare s\u0103 se desf\u0103\u0219oare chiar \u00een fa\u021ba ta.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

    Wolfgang Bernreuther & G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg O \u00eent\u00e2lnire rar\u0103 \u00eentre blues, voce \u0219i violoncel, captat\u0103 live<\/p>\n","protected":false},"featured_media":13990,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[163],"product_cat":[37,40],"product_tag":[],"class_list":["post-15728","product","type-product","status-publish","has-post-thumbnail","product_brand-sts-analog-sts-digital","product_cat-inregistrari-audio","product_cat-muzica-banda-magnetofon","first","outofstock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"\nBanda Magnetofon Live From Auditorium Hamburg - Audio Enterprise<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audio-enterprise.ro\/aes\/product\/banda-magnetofon-live-from-auditorium-hamburg-2\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Banda Magnetofon Live From Auditorium Hamburg - 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