{"id":15745,"date":"2026-05-20T15:47:43","date_gmt":"2026-05-20T15:47:43","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/product\/cd-sts-test-demo-volume-4\/"},"modified":"2026-09-02T10:58:55","modified_gmt":"2026-09-02T10:58:55","slug":"cd-sts-test-demo-volume-4","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/cd-sts-test-demo-volume-4\/","title":{"rendered":"CD STS Test Demo Volume 4"},"content":{"rendered":"<h2>Various Artists \u2013 STS Test Demo CD Vol. 4<\/h2>\n<p><strong>Un CD de referin\u021b\u0103 pentru cei care vor s\u0103 aud\u0103 vocea, instrumentele \u0219i spa\u021biul de \u00eenregistrare cu o naturale\u021be \u0219i o precizie greu de ob\u021binut dintr-o produc\u021bie obi\u0219nuit\u0103.<\/strong><\/p>\n<p>Un sistem Hi-Fi bun nu trebuie doar s\u0103 redea mai multe detalii. Trebuie s\u0103 poat\u0103 recrea senza\u021bia c\u0103 muzicienii se afl\u0103 efectiv \u00een fa\u021ba ta.<\/p>\n<p><em>STS Test Demo CD Vol. 4<\/em> continu\u0103 exact aceast\u0103 filozofie.<\/p>\n<p>Al patrulea volum al seriei <strong>Siltech High-End Audiophile Test Demo<\/strong> reune\u0219te 12 \u00eenregistr\u0103ri alese din arhiva STS, \u00eentr-o selec\u021bie dominat\u0103 de voci, jazz \u0219i instrumente acustice. Este un disc care poate fi folosit pentru evaluarea unui sistem Hi-Fi, dar care func\u021bioneaz\u0103 la fel de bine \u0219i ca o colec\u021bie muzical\u0103 rafinat\u0103. <\/p>\n<h3>Un disc construit \u00een jurul realismului<\/h3>\n<p>STS Digital porne\u0219te de la o idee foarte simpl\u0103: instrumentele acustice au deja propriul lor sunet cald \u0219i natural, iar o \u00eenregistrare bun\u0103 trebuie s\u0103 \u00eel p\u0103streze.<\/p>\n<p>De aceea, filosofia STS acord\u0103 o aten\u021bie deosebit\u0103 <strong>pozi\u021bion\u0103rii muzicienilor \u00een spa\u021biul de \u00eenregistrare, purit\u0103\u021bii de faz\u0103, simetriei stereo, transparen\u021bei \u0219i clarit\u0103\u021bii<\/strong>. Claritatea nu trebuie s\u0103 \u00eensemne un sunet excesiv de ascu\u021bit, ci unul \u00een care tonalitatea r\u0103m\u00e2ne natural\u0103 \u0219i spa\u021biul tridimensional al \u00eenregistr\u0103rii poate fi perceput. <\/p>\n<p>Este o diferen\u021b\u0103 important\u0103. Un disc poate fi foarte \u201edetaliat\u201d \u0219i totu\u0219i s\u0103 sune artificial. STS urm\u0103re\u0219te ca detaliul s\u0103 apar\u0103 ca parte fireasc\u0103 a muzicii.<\/p>\n<h3>Vocea \u00een centrul aten\u021biei<\/h3>\n<p>Selec\u021bia \u00eencepe cu <strong>Van Orly \u2013 \u201eSomebody Hold Me\u201d<\/strong>, urmat\u0103 de <strong>Eline \u2013 \u201eI Can&#8217;t Give You Anything But Love\u201d<\/strong>.<\/p>\n<p>Dou\u0103 interpret\u0103ri care pun imediat \u00een valoare una dintre cele mai dificile probe pentru un sistem audio: <strong>vocea uman\u0103<\/strong>.<\/p>\n<p>O voce bine \u00eenregistrat\u0103 trebuie s\u0103 aib\u0103 corp \u0219i pozi\u021bie, dar \u0219i suficient spa\u021biu \u00een jurul ei. Dac\u0103 sistemul este prea agresiv, vocea devine obositoare. Dac\u0103 este prea \u00eenchis, dispar microdetaliile \u0219i senza\u021bia de prezen\u021b\u0103.<\/p>\n<p>Pe aceste \u00eenregistr\u0103ri po\u021bi urm\u0103ri exact aceste diferen\u021be: <strong>textura vocii, respira\u021bia, dinamica \u0219i dimensiunea imaginii stereo<\/strong>.<\/p>\n<h3>Gabriela Anders \u2013 \u201eI&#8217;ll Be Loving You\u201d<\/h3>\n<p><strong>Gabriela Anders<\/strong> continu\u0103 selec\u021bia cu o interpretare care aduce \u00een prim-plan vocea \u0219i acompaniamentul instrumental.<\/p>\n<p>Aici conteaz\u0103 \u00een special echilibrul dintre solist \u0219i instrumente. Un sistem bine reglat trebuie s\u0103 p\u0103streze vocea clar\u0103 f\u0103r\u0103 s\u0103 o desprind\u0103 artificial de ansamblu.<\/p>\n<p>Scena trebuie s\u0103 r\u0103m\u00e2n\u0103 coerent\u0103, iar acompaniamentul s\u0103 aib\u0103 propria sa pozi\u021bie \u0219i profunzime.<\/p>\n<h3>Peggy Lee \u2013 \u201eTouch The Earth\u201d<\/h3>\n<p>Prezen\u021ba lui <strong>Peggy Lee<\/strong> aduce pe disc o voce cu un caracter foarte recognoscibil.<\/p>\n<p><em>\u201eTouch The Earth\u201d<\/em> este o alegere potrivit\u0103 pentru a observa diferen\u021bele dintre o reproducere simpl\u0103 \u0219i una capabil\u0103 s\u0103 p\u0103streze <strong>nuan\u021bele, textura \u0219i naturale\u021bea unei voci<\/strong>.<\/p>\n<p>\u00centr-un sistem transparent, vocea nu trebuie s\u0103 par\u0103 \u201eprocesat\u0103\u201d sau artificial apropiat\u0103 de ascult\u0103tor. Ea trebuie s\u0103 r\u0103m\u00e2n\u0103 \u00een propriul spa\u021biu acustic.<\/p>\n<h3>Jeanette Lindstr\u00f6m Quintet \u2013 \u201eSpeak Low\u201d<\/h3>\n<p>Cu <strong>Jeanette Lindstr\u00f6m Quintet \u2013 \u201eSpeak Low\u201d<\/strong>, discul intr\u0103 mai ad\u00e2nc \u00een zona jazzului.<\/p>\n<p>Un quintet introduce mult mai multe rela\u021bii \u00eentre instrumente dec\u00e2t o simpl\u0103 \u00eenregistrare vocal\u0103. Pianul, basul, bateria \u0219i celelalte instrumente trebuie s\u0103 r\u0103m\u00e2n\u0103 distincte, dar s\u0103 formeze \u00een acela\u0219i timp un singur ansamblu muzical.<\/p>\n<p>Este o prob\u0103 foarte bun\u0103 pentru <strong>separare, scen\u0103 stereo, microdinamic\u0103 \u0219i coeren\u021b\u0103<\/strong>.<\/p>\n<h3>Ntjam Rosie \u2013 \u201eSerre Sa Main\u201d<\/h3>\n<p><strong>Ntjam Rosie<\/strong> aduce o alt\u0103 culoare vocal\u0103 \u0219i ritmic\u0103 prin <em>\u201eSerre Sa Main\u201d<\/em>.<\/p>\n<p>\u00cen aceast\u0103 zon\u0103, sistemul trebuie s\u0103 p\u0103streze at\u00e2t vocea, c\u00e2t \u0219i energia acompaniamentului, f\u0103r\u0103 ca ritmul s\u0103 devin\u0103 aglomerat.<\/p>\n<p>Este una dintre piesele care arat\u0103 de ce un disc de test bun trebuie s\u0103 fie \u0219i muzical: testul este mai relevant atunci c\u00e2nd ui\u021bi c\u0103 testezi echipamentul \u0219i \u00eencepi pur \u0219i simplu s\u0103 ascul\u021bi.<\/p>\n<h3>Merel de Jong \u2013 \u201eYou&#8217;ve Got A Friend\u201d<\/h3>\n<p><strong>\u201eYou&#8217;ve Got A Friend\u201d<\/strong> de Merel de Jong schimb\u0103 din nou atmosfera \u0219i aduce o interpretare mai apropiat\u0103 \u0219i mai intim\u0103.<\/p>\n<p>Aici devin importante <strong>microdinamica \u0219i lini\u0219tea dintre sunete<\/strong>. Un sistem cu rezolu\u021bie bun\u0103 trebuie s\u0103 poat\u0103 reda diferen\u021bele foarte mici de intensitate \u0219i s\u0103 p\u0103streze \u00een acela\u0219i timp atmosfera \u00eenc\u0103perii.<\/p>\n<h3>Joanna Coco \u2013 \u201eRitual\u201d<\/h3>\n<p><strong>Joanna Coco \u2013 \u201eRitual\u201d<\/strong> aduce ritm \u0219i o palet\u0103 instrumental\u0103 diferit\u0103.<\/p>\n<p>Este o pies\u0103 potrivit\u0103 pentru a observa felul \u00een care sistemul gestioneaz\u0103 simultan mai multe surse sonore \u0219i c\u00e2t de bine p\u0103streaz\u0103 <strong>spa\u021biul dintre ele<\/strong>.<\/p>\n<p>Pe o reproducere bun\u0103, instrumentele nu se contopesc \u00eentr-o singur\u0103 mas\u0103 de sunet. Fiecare are propriul loc, propriul atac \u0219i propria textur\u0103.<\/p>\n<h3>Cristina Branco \u2013 \u201eOmen\u201d<\/h3>\n<p>Cu <strong>Cristina Branco<\/strong>, discul revine la voce, dar \u00eentr-o atmosfer\u0103 diferit\u0103.<\/p>\n<p><em>\u201eOmen\u201d<\/em> este o bun\u0103 demonstra\u021bie pentru <strong>naturalitatea vocii \u0219i profunzimea scenei<\/strong>. \u00cenregistr\u0103rile vocale de acest tip pot dezv\u0103lui rapid dac\u0103 un sistem are tendin\u021ba de a \u00eempinge vocile artificial \u00een fa\u021b\u0103 sau dac\u0103 reu\u0219e\u0219te s\u0103 p\u0103streze distan\u021ba \u0219i ambian\u021ba originale.<\/p>\n<h3>Melanie De Biasio \u2013 \u201eNo Deal\u201d<\/h3>\n<p><strong>\u201eNo Deal\u201d<\/strong> de Melanie De Biasio continu\u0103 explorarea vocilor \u0219i a spa\u021biului acustic.<\/p>\n<p>Este genul de \u00eenregistrare \u00een care <strong>microdetaliile \u0219i ambian\u021ba<\/strong> devin la fel de importante ca nota muzical\u0103 \u00een sine.<\/p>\n<p>Un sistem bun trebuie s\u0103 poat\u0103 reda aceste informa\u021bii f\u0103r\u0103 s\u0103 le exagereze.<\/p>\n<h3>Janis Siegel \u2013 \u201eSmall Day Tomorrow\u201d<\/h3>\n<p><strong>Janis Siegel<\/strong>, cunoscut\u0103 pentru activitatea sa al\u0103turi de The Manhattan Transfer, apare cu <em>\u201eSmall Day Tomorrow\u201d<\/em>.<\/p>\n<p>Vocea \u0219i acompaniamentul ofer\u0103 o alt\u0103 perspectiv\u0103 asupra reproducerii vocale \u0219i asupra modului \u00een care sistemul poate p\u0103stra <strong>fine\u021bea, controlul \u0219i expresivitatea<\/strong> unei interpret\u0103ri.<\/p>\n<h3>Lizz Wright \u2013 \u201eHey Mann\u201d<\/h3>\n<p>Discul se \u00eencheie cu <strong>Lizz Wright \u2013 \u201eHey Mann\u201d<\/strong>, o alegere puternic\u0103 pentru finalul acestei selec\u021bii.<\/p>\n<p>Vocea lui Wright are suficient\u0103 profunzime \u0219i energie pentru a pune \u00een eviden\u021b\u0103 at\u00e2t <strong>corpul frecven\u021belor joase<\/strong>, c\u00e2t \u0219i naturale\u021bea \u0219i dimensiunea vocii.<\/p>\n<p>Este un final care sintetizeaz\u0103 foarte bine filosofia volumului: muzic\u0103, voce, spa\u021biu \u0219i dinamic\u0103 \u00eentr-o singur\u0103 experien\u021b\u0103.<\/p>\n<h3>MW Coding Process<\/h3>\n<p><em>STS Test Demo CD Vol. 4<\/em> folose\u0219te <strong>STS Digital MW Coding Process<\/strong>, procesul proprietar prin care STS preg\u0103te\u0219te materialul pentru CD.<\/p>\n<p>Sursele edi\u021biei \u00eel descriu ca fiind realizat din <strong>\u00eenregistr\u0103ri remasterizate analogic<\/strong>, procesate prin MW Coding pentru a demonstra c\u00e2t de mult\u0103 dinamic\u0103 poate reda mediul CD \u0219i c\u00e2t de important\u0103 este aceast\u0103 dinamic\u0103 pentru senza\u021bia de scar\u0103 \u0219i realism. <\/p>\n<p>STS descrie seria drept cea mai dinamic\u0103 serie de CD-uri produs\u0103 de companie, iar scopul este ca ascult\u0103torul s\u0103 perceap\u0103 nu doar informa\u021bia muzical\u0103, ci \u0219i <strong>dimensiunea \u0219i realitatea evenimentului \u00eenregistrat<\/strong>. <\/p>\n<h3>Tracklist<\/h3>\n<ol>\n<li><strong>Van Orly \u2013 Somebody Hold Me<\/strong><\/li>\n<li><strong>Eline \u2013 I Can&#8217;t Give You Anything But Love<\/strong><\/li>\n<li><strong>Gabriela Anders \u2013 I&#8217;ll Be Loving You<\/strong><\/li>\n<li><strong>Peggy Lee \u2013 Touch The Earth<\/strong><\/li>\n<li><strong>Jeanette Lindstr\u00f6m Quintet \u2013 Speak Low<\/strong><\/li>\n<li><strong>Ntjam Rosie \u2013 Serre Sa Main<\/strong><\/li>\n<li><strong>Merel de Jong \u2013 You&#8217;ve Got A Friend<\/strong><\/li>\n<li><strong>Joanna Coco \u2013 Ritual<\/strong><\/li>\n<li><strong>Cristina Branco \u2013 Omen<\/strong><\/li>\n<li><strong>Melanie De Biasio \u2013 No Deal<\/strong><\/li>\n<li><strong>Janis Siegel \u2013 Small Day Tomorrow<\/strong><\/li>\n<li><strong>Lizz Wright \u2013 Hey Mann<\/strong><\/li>\n<\/ol>\n<p>Tracklistul de 12 piese este confirmat de sursele dedicate edi\u021biei STS Digital 6111183. <\/p>\n<h3>Detalii edi\u021bie<\/h3>\n<table>\n<thead>\n<tr>\n<th>Artist<\/th>\n<th>Various Artists<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Album<\/td>\n<td><em>STS Test Demo CD Vol. 4<\/em><\/td>\n<\/tr>\n<tr>\n<td>Titlu alternativ<\/td>\n<td><em>Siltech High-End Audiophile Test Demo CD Vol. 4<\/em><\/td>\n<\/tr>\n<tr>\n<td>Label<\/td>\n<td>STS Digital<\/td>\n<\/tr>\n<tr>\n<td>Catalog<\/td>\n<td>STS 6111183<\/td>\n<\/tr>\n<tr>\n<td>Serie<\/td>\n<td>STS Test Demo CD \u2013 Siltech Legend<\/td>\n<\/tr>\n<tr>\n<td>Format<\/td>\n<td>1\u00d7 CD<\/td>\n<\/tr>\n<tr>\n<td>Tip<\/td>\n<td>Reference \/ High-End Audiophile Test CD<\/td>\n<\/tr>\n<tr>\n<td>Proces<\/td>\n<td>STS Digital MW Coding Process<\/td>\n<\/tr>\n<tr>\n<td>Num\u0103r piese<\/td>\n<td>12<\/td>\n<\/tr>\n<tr>\n<td>\u021aara<\/td>\n<td>Olanda<\/td>\n<\/tr>\n<tr>\n<td>An<\/td>\n<td>2015<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>De ce merit\u0103 \u00een colec\u021bia unui pasionat de Hi-Fi?<\/h3>\n<p><em>STS Test Demo CD Vol. 4<\/em> este un disc pentru cei care vor s\u0103 testeze un sistem audio prin <strong>muzic\u0103 real\u0103, nu prin simple semnale de test<\/strong>.<\/p>\n<p>Vocile sunt principalul instrument de evaluare, iar varietatea arti\u0219tilor permite ascultarea unor caractere vocale \u0219i instrumentale foarte diferite. De la Peggy Lee \u0219i Janis Siegel la Cristina Branco, Melanie De Biasio \u0219i Lizz Wright, discul ofer\u0103 numeroase repere pentru <strong>naturalitate, pozi\u021bionare, microdinamic\u0103, profunzime \u0219i transparen\u021b\u0103<\/strong>.<\/p>\n<p>\u00cen acela\u0219i timp, este suficient de muzical \u00eenc\u00e2t s\u0103 poat\u0103 fi ascultat de la \u00eenceput p\u00e2n\u0103 la sf\u00e2r\u0219it f\u0103r\u0103 s\u0103 par\u0103 un simplu disc tehnic.<\/p>\n<p><strong>Un Reference CD STS Digital dedicat celor care vor s\u0103 aud\u0103 vocile \u0219i instrumentele cu mai mult\u0103 naturale\u021be \u0219i s\u0103 descopere c\u00e2t de mult conteaz\u0103 spa\u021biul, dinamica \u0219i microdetaliile \u00eentr-o reproducere Hi-Fi de nivel \u00eenalt.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Various Artists \u2013 STS Test Demo CD Vol. 4 Un CD de referin\u021b\u0103 pentru cei care vor s\u0103 aud\u0103 vocea,<\/p>\n","protected":false},"featured_media":16186,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[163],"product_cat":[37,38],"product_tag":[],"class_list":["post-15745","product","type-product","status-publish","has-post-thumbnail","product_brand-sts-analog-sts-digital","product_cat-inregistrari-audio","product_cat-muzica-cd","first","instock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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