{"id":15767,"date":"2026-05-20T15:47:46","date_gmt":"2026-05-20T15:47:46","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/product\/live-from-auditorium-hamburg-wolfgang-bernreuther-and-gotz-kelling-urban-cd-sts-digital\/"},"modified":"2026-09-02T10:23:08","modified_gmt":"2026-09-02T10:23:08","slug":"live-from-auditorium-hamburg-wolfgang-bernreuther-and-gotz-kelling-urban-cd-sts-digital","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/live-from-auditorium-hamburg-wolfgang-bernreuther-and-gotz-kelling-urban-cd-sts-digital\/","title":{"rendered":"Live from auditorium Hamburg- Wolfgang Bernreuther and G\u00f6tz Kelling-Urban, CD, STS Digital"},"content":{"rendered":"<h2>Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg [CD]<\/h2>\n<p><strong>Blues, violoncel \u0219i o sal\u0103 plin\u0103 de via\u021b\u0103. O \u00eenregistrare \u00een care ai impresia c\u0103 nu ascul\u021bi un album, ci c\u0103 te afli chiar \u00een Auditorium Hamburg.<\/strong><\/p>\n<p>Uneori, cele mai memorabile \u00eenregistr\u0103ri nu apar \u00eentr-un studio construit special pentru perfec\u021biune, ci \u00eentr-un spa\u021biu real, \u00een fa\u021ba unui public real, atunci c\u00e2nd muzicienii au libertatea de a c\u00e2nta f\u0103r\u0103 bariere.<\/p>\n<p><em>Live From Auditorium Hamburg<\/em> este exact un astfel de moment.<\/p>\n<p>Wolfgang Bernreuther \u0219i G\u00f6tz Kelling-Urban formeaz\u0103 aici un duo neobi\u0219nuit: <strong>voce \u0219i chitar\u0103 blues \u00eent\u00e2lnesc violoncelul<\/strong>. Rezultatul este o combina\u021bie care dep\u0103\u0219e\u0219te grani\u021bele unui singur gen \u0219i creeaz\u0103 o atmosfer\u0103 intim\u0103, organic\u0103 \u0219i profund muzical\u0103.<\/p>\n<h3>Blues-ul \u00eent\u00e2lne\u0219te violoncelul<\/h3>\n<p>Wolfgang Bernreuther este un chitarist \u0219i vocalist cu un stil puternic ancorat \u00een blues. Al\u0103turi de el, G\u00f6tz Kelling-Urban aduce un instrument care, la prima vedere, pare \u00eendep\u0103rtat de universul bluesului: violoncelul.<\/p>\n<p>Tocmai aceast\u0103 diferen\u021b\u0103 face \u00eent\u00e2lnirea at\u00e2t de interesant\u0103.<\/p>\n<p>Chitara poate fi aspr\u0103, ritmic\u0103 \u0219i direct\u0103, \u00een timp ce violoncelul aduce profunzime, textur\u0103 \u0219i o voce aproape vocal\u0103. \u00cempreun\u0103, cele dou\u0103 instrumente creeaz\u0103 un spa\u021biu sonor neobi\u0219nuit, \u00een care fiecare not\u0103 are loc s\u0103 respire.<\/p>\n<p>Bernreuther folose\u0219te chitare <strong>H\u00f6fner<\/strong>, inclusiv chitar\u0103 acustic\u0103 \u0219i resofonic\u0103, iar Kelling-Urban c\u00e2nt\u0103 la un violoncel construit de <strong>Nicolas Darche \u00een 1847<\/strong>. <\/p>\n<h3>Un concert, nu o produc\u021bie de studio<\/h3>\n<p>Una dintre marile calit\u0103\u021bi ale acestui album este faptul c\u0103 p\u0103streaz\u0103 senza\u021bia de <strong>eveniment live<\/strong>.<\/p>\n<p>STS Digital a \u00eenregistrat concertul \u00een Auditorium Hamburg, iar atmosfera s\u0103lii face parte din experien\u021b\u0103. Nu este \u00eencercat\u0103 eliminarea tuturor urmelor unui concert pentru a ob\u021bine o imagine steril\u0103. Din contr\u0103, spa\u021biul \u0219i reac\u021bia publicului contribuie la senza\u021bia de prezen\u021b\u0103.<\/p>\n<p>Este unul dintre motivele pentru care aceast\u0103 \u00eenregistrare este interesant\u0103 \u0219i pentru audiofili: po\u021bi urm\u0103ri nu doar vocile \u0219i instrumentele, ci \u0219i <strong>acustica \u00eenc\u0103perii, distan\u021ba dintre interpre\u021bi \u0219i senza\u021bia de spa\u021biu real<\/strong>.<\/p>\n<h3>O captur\u0103 analogic\u0103 STS<\/h3>\n<p>\u00cenregistrarea a fost realizat\u0103 de <strong>STS Digital<\/strong> pe un magnetofon stereo <strong>Nagra 4S<\/strong>, folosind microfoane <strong>Schoeps<\/strong> \u0219i cabluri <strong>Siltech<\/strong>. Materialul a fost apoi prelucrat prin procesul de codare <strong>MW Coding<\/strong> al STS. <\/p>\n<p>STS pune \u00een centrul filosofiei sale naturale\u021bea instrumentelor, acustica spa\u021biului \u0219i p\u0103strarea unei imagini stereo credibile. \u00cen cazul unei \u00eenregistr\u0103ri live ca aceasta, abordarea este cu at\u00e2t mai important\u0103: obiectivul este s\u0103 sim\u021bi locul \u00een care muzica s-a \u00eent\u00e2mplat.<\/p>\n<p>Nu este doar despre c\u00e2t de clar se aude chitara sau c\u00e2t de profund coboar\u0103 violoncelul. Este despre senza\u021bia c\u0103 <strong>\u00eentre muzician \u0219i ascult\u0103tor nu exist\u0103 o produc\u021bie artificial\u0103 care s\u0103 stea \u00een cale<\/strong>.<\/p>\n<h3>Un repertoriu construit din blues \u0219i pove\u0219ti<\/h3>\n<p>Albumul \u00eencepe cu <em>Alabama Train<\/em>, \u00een aranjamentul lui Wolfgang Bernreuther dup\u0103 Iverson Minter, \u0219i continu\u0103 cu c\u00e2teva dintre piesele care au devenit repere ale bluesului.<\/p>\n<p><em>The Thrill Is Gone<\/em>, <em>Drifting Blues<\/em>, <em>Little Red Rooster<\/em> \u0219i <em>The Same Thing<\/em> sunt urmate de compozi\u021bii originale sau reinterpret\u0103ri care schimb\u0103 treptat atmosfera.<\/p>\n<p><em>Indian Blues<\/em>, <em>Slowly Drivin\u2019 Me Mad<\/em>, <em>Blinded By The Night<\/em> \u0219i <em>For Ole<\/em> completeaz\u0103 o selec\u021bie \u00een care bluesul tradi\u021bional se \u00eent\u00e2lne\u0219te cu stilul personal al lui Bernreuther.<\/p>\n<h3>De ce este interesant pentru un audiofil?<\/h3>\n<p>Acesta este genul de CD pe care \u00eel po\u021bi folosi pentru a asculta un sistem hi-fi, dar f\u0103r\u0103 ca muzica s\u0103 devin\u0103 un simplu \u201etest de sunet\u201d.<\/p>\n<ul>\n<li><strong>Vocea<\/strong> permite evaluarea naturale\u021bii \u0219i a texturii.<\/li>\n<li><strong>Chitara<\/strong> eviden\u021biaz\u0103 atacul, corzile \u0219i microdinamica.<\/li>\n<li><strong>Violonc\u00e9lul<\/strong> ofer\u0103 informa\u021bii despre corp, rezonan\u021b\u0103 \u0219i profunzime.<\/li>\n<li><strong>Acustica s\u0103lii<\/strong> ajut\u0103 la evaluarea spa\u021biului \u0219i a imaginii stereo.<\/li>\n<li><strong>Atmosfera live<\/strong> permite verificarea senza\u021biei de prezen\u021b\u0103 \u0219i realism.<\/li>\n<\/ul>\n<p>Este muzic\u0103 pe care o po\u021bi asculta relaxat, dar \u0219i o \u00eenregistrare care poate spune foarte multe despre un sistem audio bine pus la punct.<\/p>\n<h3>STS Digital \u2013 muzic\u0103 vie, \u00eenregistrat\u0103 natural<\/h3>\n<p><em>Live From Auditorium Hamburg<\/em> este un exemplu foarte bun pentru filosofia STS: tehnologia este important\u0103, dar nu trebuie s\u0103 devin\u0103 subiectul principal.<\/p>\n<p>Sub toate detaliile tehnice r\u0103m\u00e2ne un lucru simplu: <strong>doi muzicieni care c\u00e2nt\u0103 \u00eempreun\u0103 \u00eentr-o sal\u0103, \u00een fa\u021ba unui public<\/strong>.<\/p>\n<p>Chitara, vocea \u0219i violoncelul creeaz\u0103 o combina\u021bie surprinz\u0103tor de intim\u0103, iar caracterul live al sesiunii p\u0103streaz\u0103 acea doz\u0103 de imprevizibil \u0219i emo\u021bie care lipse\u0219te adesea din \u00eenregistr\u0103rile excesiv produse.<\/p>\n<h3>Tracklist<\/h3>\n<ol>\n<li><strong>Alabama Train<\/strong> \u2013 4:07<br \/>\n<em>Iverson Minter \/ arr. Wolfgang Bernreuther<\/em><\/li>\n<li><strong>The Thrill Is Gone<\/strong> \u2013 5:27<br \/>\n<em>Roy Hawkins \/ Rick Darnell<\/em><\/li>\n<li><strong>Drifting Blues<\/strong> \u2013 3:37<br \/>\n<em>Charles Brown \/ Johnny Moore \/ Eddie Williams<\/em><\/li>\n<li><strong>Little Red Rooster<\/strong> \u2013 3:27<br \/>\n<em>Willie Dixon<\/em><\/li>\n<li><strong>The Same Thing<\/strong> \u2013 5:10<br \/>\n<em>Willie Dixon<\/em><\/li>\n<li><strong>Indian Blues<\/strong> \u2013 3:29<br \/>\n<em>Wolfgang Bernreuther<\/em><\/li>\n<li><strong>I Still Miss Someone<\/strong> \u2013 3:06<br \/>\n<em>Johnny Cash \/ Roy Cash<\/em><\/li>\n<li><strong>Slowly Drivin\u2019 Me Mad<\/strong> \u2013 3:53<br \/>\n<em>Wolfgang Bernreuther<\/em><\/li>\n<li><strong>Blinded By The Night<\/strong> \u2013 3:30<br \/>\n<em>Wolfgang Bernreuther<\/em><\/li>\n<li><strong>For Ole<\/strong> \u2013 3:50<br \/>\n<em>Wolfgang Bernreuther<\/em><\/li>\n<\/ol>\n<h3>Muzicieni<\/h3>\n<ul>\n<li><strong>Wolfgang Bernreuther<\/strong> \u2013 voce, chitar\u0103 acustic\u0103, chitar\u0103 resofonic\u0103<\/li>\n<li><strong>G\u00f6tz Kelling-Urban<\/strong> \u2013 violoncel<\/li>\n<\/ul>\n<h3>Detalii edi\u021bie<\/h3>\n<table>\n<thead>\n<tr>\n<th>Artist<\/th>\n<th>Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Album<\/td>\n<td><em>Live From Auditorium Hamburg<\/em><\/td>\n<\/tr>\n<tr>\n<td>Label<\/td>\n<td>STS Digital<\/td>\n<\/tr>\n<tr>\n<td>Catalog<\/td>\n<td>611111124<\/td>\n<\/tr>\n<tr>\n<td>Format<\/td>\n<td>CD<\/td>\n<\/tr>\n<tr>\n<td>Num\u0103r discuri<\/td>\n<td>1 CD<\/td>\n<\/tr>\n<tr>\n<td>Gen<\/td>\n<td>Blues<\/td>\n<\/tr>\n<tr>\n<td>Stil<\/td>\n<td>Easy Listening \/ Blues<\/td>\n<\/tr>\n<tr>\n<td>\u00cenregistrare<\/td>\n<td>Live, Auditorium Hamburg<\/td>\n<\/tr>\n<tr>\n<td>Recorder<\/td>\n<td>Nagra 4S Stereo Tape Recorder<\/td>\n<\/tr>\n<tr>\n<td>Microfoane<\/td>\n<td>Schoeps<\/td>\n<\/tr>\n<tr>\n<td>Cabluri<\/td>\n<td>Siltech<\/td>\n<\/tr>\n<tr>\n<td>Proces STS<\/td>\n<td>MW Coding Process<\/td>\n<\/tr>\n<tr>\n<td>\u00cenregistrat de<\/td>\n<td>STS Digital<\/td>\n<\/tr>\n<tr>\n<td>Produc\u0103tor executiv<\/td>\n<td>Robert Suchy \u2013 Clearaudio<\/td>\n<\/tr>\n<tr>\n<td>Lansare<\/td>\n<td>2024<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Live From Auditorium Hamburg<\/strong> este un CD pentru cei care vor s\u0103 aud\u0103 muzica a\u0219a cum se \u00eent\u00e2mpl\u0103 \u00een realitate: doi muzicieni, dou\u0103 lumi sonore foarte diferite \u0219i o sal\u0103 care devine parte din instrument.<\/p>\n<p><strong>Blues cu suflet, violoncel cu personalitate \u0219i o \u00eenregistrare STS Digital care p\u0103streaz\u0103 senza\u021bia de concert.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg [CD] Blues, violoncel \u0219i o sal\u0103 plin\u0103 de via\u021b\u0103. O<\/p>\n","protected":false},"featured_media":16193,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[163],"product_cat":[37,38],"product_tag":[],"class_list":["post-15767","product","type-product","status-publish","has-post-thumbnail","product_brand-sts-analog-sts-digital","product_cat-inregistrari-audio","product_cat-muzica-cd","first","instock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Live from auditorium Hamburg- Wolfgang Bernreuther and G\u00f6tz Kelling-Urban, CD, STS Digital - Audio Enterprise<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audio-enterprise.ro\/aes\/product\/live-from-auditorium-hamburg-wolfgang-bernreuther-and-gotz-kelling-urban-cd-sts-digital\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Live from auditorium Hamburg- Wolfgang Bernreuther and G\u00f6tz Kelling-Urban, CD, STS Digital - Audio Enterprise\" \/>\n<meta property=\"og:description\" content=\"Wolfgang Bernreuther &amp; G\u00f6tz Kelling-Urban \u2013 Live From Auditorium Hamburg [CD] Blues, violoncel \u0219i o sal\u0103 plin\u0103 de via\u021b\u0103. 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