{"id":15770,"date":"2026-05-20T15:47:46","date_gmt":"2026-05-20T15:47:46","guid":{"rendered":"https:\/\/beta-project.ro\/shop-at\/product\/harold-farberman-all-star-percussion-ensemble-limited-numbered-edition-audio-nautes-recordings\/"},"modified":"2026-09-02T10:29:55","modified_gmt":"2026-09-02T10:29:55","slug":"harold-farberman-all-star-percussion-ensemble-limited-numbered-edition-audio-nautes-recordings","status":"publish","type":"product","link":"https:\/\/audio-enterprise.ro\/aes\/product\/harold-farberman-all-star-percussion-ensemble-limited-numbered-edition-audio-nautes-recordings\/","title":{"rendered":"Harold Farberman &#8211; All Star Percussion Ensemble  (Limited Numbered Edition), Audio Nautes Recordings, CD"},"content":{"rendered":"<h2>Harold Farberman \u2013 The All Star Percussion Ensemble [UHQ-CD]<\/h2>\n<p><strong>Zece percu\u021bioni\u0219ti. Zeci de instrumente. Patru capodopere ale muzicii clasice transformate \u00eentr-un spectacol de ritm, dinamic\u0103 \u0219i energie.<\/strong><\/p>\n<p>Exist\u0103 \u00eenregistr\u0103ri audiophile \u00een care diferen\u021bele se aud subtil. \u0218i exist\u0103 \u00eenregistr\u0103ri \u00een care sistemul audio este pur \u0219i simplu pus \u00een fa\u021ba unei provoc\u0103ri.<\/p>\n<p><em>The All Star Percussion Ensemble<\/em> este una dintre acestea.<\/p>\n<p>Sub conducerea lui <strong>Harold Farberman<\/strong>, zece dintre cei mai buni percu\u021bioni\u0219ti proveni\u021bi din \u0219apte mari orchestre americane se reunesc pentru a interpreta patru lucr\u0103ri celebre ale repertoriului clasic folosind exclusiv instrumente de percu\u021bie.<\/p>\n<h3>O idee aparent imposibil\u0103<\/h3>\n<p>Cum po\u021bi transforma <em>Carmen Fantasy<\/em>, <em>Scherzo<\/em>-ul din Simfonia a IX-a de Beethoven, <em>Canon in D<\/em> de Pachelbel \u0219i <em>March to the Scaffold<\/em> de Berlioz \u00eentr-o experien\u021b\u0103 construit\u0103 aproape \u00een \u00eentregime din percu\u021bie?<\/p>\n<p>Harold Farberman a g\u0103sit r\u0103spunsul.<\/p>\n<p>Pentru fiecare lucrare sunt utilizate aproximativ <strong>60 p\u00e2n\u0103 la 80 de instrumente de percu\u021bie<\/strong>. Fiecare pies\u0103 are propria combina\u021bie de instrumente, iar cei zece muzicieni trebuie s\u0103 se deplaseze \u00eentre ele \u0219i s\u0103 p\u0103streze o sincronizare extrem de precis\u0103.<\/p>\n<p>Rezultatul este spectaculos: muzic\u0103 pe care o recuno\u0219ti imediat, dar pe care o auzi \u00eentr-o form\u0103 complet nou\u0103.<\/p>\n<h3>Harold Farberman \u2013 un percu\u021bionist devenit dirijor<\/h3>\n<p>Harold Farberman este o figur\u0103 aparte \u00een lumea muzicii clasice.<\/p>\n<p>A studiat percu\u021bia la <strong>Juilliard School of Music<\/strong>, iar la doar 20 de ani a devenit cel mai t\u00e2n\u0103r membru al <strong>Boston Symphony Orchestra<\/strong>. Ulterior s-a dedicat compozi\u021biei \u0219i dirijatului, conduc\u00e2nd orchestre precum <strong>London Symphony Orchestra<\/strong> \u0219i <strong>Royal Philharmonic Orchestra<\/strong>.<\/p>\n<p>Experien\u021ba sa de percu\u021bionist este esen\u021bial\u0103 pentru acest proiect. Farberman \u00een\u021belege instrumentele din interior, iar aranjamentele sale nu trateaz\u0103 percu\u021bia ca pe un simplu efect, ci ca pe o orchestr\u0103 \u00een sine.<\/p>\n<h3>Un ansamblu de excep\u021bie<\/h3>\n<p>Cei zece interpre\u021bi provin din \u0219apte orchestre importante din Statele Unite, iar mul\u021bi dintre ei au fost studen\u021bi ai lui Farberman.<\/p>\n<p>Printre percu\u021bioni\u0219ti se num\u0103r\u0103 <strong>Abraham Marcus, Arnold Lang, Arthur Press, Bent Lylloff, Donald Miller, Everett Firth, John Soroka, Mickey Bookspan, Roland Kohloff<\/strong> \u0219i <strong>Walter Rosenberger<\/strong>.<\/p>\n<p>Fiecare are propriul rol, propriul instrument \u0219i propria pozi\u021bie \u00een spa\u021biul de \u00eenregistrare. Iar c\u00e2nd zeci de instrumente trebuie s\u0103 func\u021bioneze ca un singur organism, precizia devine esen\u021bial\u0103.<\/p>\n<h3>\u00cenregistrarea din New York<\/h3>\n<p>Sesiunile au avut loc \u00een <strong>8 martie \u0219i 12 aprilie 1982<\/strong>, la <strong>Vanguard Recording Studio, New York<\/strong>.<\/p>\n<p>Produc\u0103torul a fost <strong>Andrew Kazdin<\/strong>, unul dintre numele importante ale produc\u021biei de muzic\u0103 clasic\u0103 \u0219i audiophile.<\/p>\n<p>\u00cenregistrarea a devenit apreciat\u0103 tocmai pentru felul \u00een care surprinde multitudinea de instrumente \u0219i dinamica extraordinar\u0103 a ansamblului. Pe un sistem de \u00eenalt\u0103 rezolu\u021bie pot fi percepute chiar \u0219i mici sunete produse de pa\u0219ii muzicienilor \u00een timp ce ace\u0219tia se deplaseaz\u0103 rapid \u00eentre instrumente pentru a p\u0103stra sincronizarea cu dirijorul.<\/p>\n<p>Este unul dintre acele detalii care transform\u0103 o simpl\u0103 \u00eenregistrare \u00eentr-o experien\u021b\u0103: nu auzi doar rezultatul final, ci \u00eencepi s\u0103 percepi \u0219i <strong>fizicalitatea interpret\u0103rii<\/strong>. <\/p>\n<h3>De ce este at\u00e2t de interesant pentru un audiofil?<\/h3>\n<p>Percu\u021bia este una dintre cele mai dificile surse sonore de reprodus corect.<\/p>\n<p>Atacul trebuie s\u0103 fie rapid. Rezonan\u021ba trebuie s\u0103 r\u0103m\u00e2n\u0103 natural\u0103. Instrumentele trebuie s\u0103 fie separate, dar ansamblul nu trebuie s\u0103 se destrame. Iar pasajele cu energie foarte mare trebuie redate f\u0103r\u0103 comprimarea senza\u021biei de dinamic\u0103.<\/p>\n<p><em>The All Star Percussion Ensemble<\/em> ofer\u0103 toate aceste provoc\u0103ri \u00eentr-un singur disc:<\/p>\n<ul>\n<li><strong>atac \u0219i tranzien\u021bi<\/strong> \u2013 pentru vitez\u0103 \u0219i precizie;<\/li>\n<li><strong>microdinamic\u0103<\/strong> \u2013 pentru diferen\u021bele dintre loviturile fine \u0219i cele puternice;<\/li>\n<li><strong>rezonan\u021b\u0103<\/strong> \u2013 pentru naturale\u021bea instrumentelor;<\/li>\n<li><strong>separa\u021bie<\/strong> \u2013 pentru pozi\u021bionarea numeroaselor surse sonore;<\/li>\n<li><strong>dinamic\u0103<\/strong> \u2013 pentru pasajele orchestrale explozive;<\/li>\n<li><strong>spa\u021bialitate<\/strong> \u2013 pentru senza\u021bia de \u00eenc\u0103pere \u0219i pozi\u021bionarea ansamblului.<\/li>\n<\/ul>\n<h3>AudioNautes Recordings \u2013 edi\u021bia UHQCD<\/h3>\n<p>AudioNautes Recordings readuce aceast\u0103 \u00eenregistrare \u00eentr-o edi\u021bie special\u0103 destinat\u0103 colec\u021bionarilor \u0219i pasiona\u021bilor de reproducere audio de \u00eenalt\u0103 fidelitate.<\/p>\n<p><strong>AN-2502-UHQ<\/strong> este o edi\u021bie <strong>UHQCD<\/strong>, stereo, limitat\u0103 \u0219i numerotat\u0103, fabricat\u0103 \u00een Japonia \u0219i compatibil\u0103 cu orice player CD standard.<\/p>\n<p>Edi\u021bia utilizeaz\u0103 formatul <strong>UHQCD \u2013 Ultimate High Quality Compact Disc<\/strong>, un proces de fabrica\u021bie japonez care urm\u0103re\u0219te o geometrie mai precis\u0103 a pits \u0219i o citire mai exact\u0103 a informa\u021biei digitale. Din punct de vedere al compatibilit\u0103\u021bii, r\u0103m\u00e2ne un CD Red Book obi\u0219nuit: nu ai nevoie de un player special pentru a-l asculta. <\/p>\n<p>Sursele comerciale pentru aceast\u0103 edi\u021bie indic\u0103 utilizarea <strong>masterelor originale<\/strong>. Pentru descrierea magazinului, este mai sigur s\u0103 p\u0103str\u0103m aceast\u0103 formulare dec\u00e2t s\u0103 atribuim edi\u021biei un lan\u021b AAA sau o anumit\u0103 genera\u021bie de transfer care nu este documentat\u0103 suficient de produc\u0103tor. <\/p>\n<h3>Patru lucr\u0103ri. O singur\u0103 idee.<\/h3>\n<p>Repertoriul este scurt, dar extrem de bine ales.<\/p>\n<p><strong>Bizet \u2013 Carmen Fantasy<\/strong> aduce imediat culoare \u0219i energie. <strong>Beethoven \u2013 Scherzo<\/strong> transform\u0103 ritmul \u00eentr-o demonstra\u021bie de precizie. <strong>Pachelbel \u2013 Canon in D<\/strong> ofer\u0103 un contrast mai melodic, iar <strong>Berlioz \u2013 March to the Scaffold<\/strong> \u00eencheie albumul cu dramatism \u0219i for\u021b\u0103.<\/p>\n<p>Patru lucr\u0103ri cunoscute. Patru lumi sonore reconstruite prin percu\u021bie.<\/p>\n<h3>Tracklist<\/h3>\n<ol>\n<li><strong>Georges Bizet \u2013 Carmen Fantasy<\/strong><\/li>\n<li><strong>Ludwig van Beethoven \u2013 Scherzo<\/strong>, din Simfonia nr. 9 \u00een re minor, Op. 125<\/li>\n<li><strong>Johann Pachelbel \u2013 Canon in D<\/strong><\/li>\n<li><strong>Hector Berlioz \u2013 March to the Scaffold<\/strong>, din <em>Symphonie Fantastique<\/em>, Op. 14<\/li>\n<\/ol>\n<h3>Detalii edi\u021bie<\/h3>\n<table>\n<thead>\n<tr>\n<th>Artist<\/th>\n<th>Harold Farberman \/ The All Star Percussion Ensemble<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Album<\/td>\n<td><em>The All Star Percussion Ensemble<\/em><\/td>\n<\/tr>\n<tr>\n<td>Label<\/td>\n<td>AudioNautes Recordings<\/td>\n<\/tr>\n<tr>\n<td>Catalog<\/td>\n<td>AN-2502-UHQ<\/td>\n<\/tr>\n<tr>\n<td>Format<\/td>\n<td>UHQCD \/ 1 CD<\/td>\n<\/tr>\n<tr>\n<td>Audio<\/td>\n<td>Stereo<\/td>\n<\/tr>\n<tr>\n<td>Edi\u021bie<\/td>\n<td>Limited \/ Numbered<\/td>\n<\/tr>\n<tr>\n<td>Fabrica\u021bie<\/td>\n<td>Japonia<\/td>\n<\/tr>\n<tr>\n<td>\u00cenregistrare<\/td>\n<td>8 martie \u0219i 12 aprilie 1982<\/td>\n<\/tr>\n<tr>\n<td>Loca\u021bie<\/td>\n<td>Vanguard Recording Studio, New York<\/td>\n<\/tr>\n<tr>\n<td>Produc\u0103tor<\/td>\n<td>Andrew Kazdin<\/td>\n<\/tr>\n<tr>\n<td>Num\u0103r de muzicieni<\/td>\n<td>10 percu\u021bioni\u0219ti<\/td>\n<\/tr>\n<tr>\n<td>Instrumente utilizate<\/td>\n<td>Aproximativ 60\u201380 pentru fiecare lucrare<\/td>\n<\/tr>\n<tr>\n<td>EAN<\/td>\n<td>8690101057267<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><strong>Harold Farberman \u2013 The All Star Percussion Ensemble<\/strong> este una dintre acele edi\u021bii AudioNautes \u00een care partea tehnic\u0103 \u0219i muzica se \u00eent\u00e2lnesc perfect.<\/p>\n<p>\u00cen spatele UHQCD-ului, al edi\u021biei limitate \u0219i al reputa\u021biei audiophile se afl\u0103 \u00eens\u0103 ceva mult mai important: <strong>zece muzicieni, zeci de instrumente \u0219i o idee nebuneasc\u0103 dus\u0103 p\u00e2n\u0103 la cap\u0103t cu o precizie extraordinar\u0103.<\/strong><\/p>\n<p>Un disc spectaculos pentru iubitorii de muzic\u0103 clasic\u0103 \u0219i, \u00een acela\u0219i timp, unul dintre cele mai interesante materiale pentru a descoperi c\u00e2t de bine poate reproduce un sistem audio <strong>atacul, dinamica, spa\u021biul \u0219i energia real\u0103 a percu\u021biei<\/strong>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Harold Farberman \u2013 The All Star Percussion Ensemble [UHQ-CD] Zece percu\u021bioni\u0219ti. Zeci de instrumente. Patru capodopere ale muzicii clasice transformate<\/p>\n","protected":false},"featured_media":14150,"comment_status":"open","ping_status":"closed","template":"","meta":[],"product_brand":[162],"product_cat":[37,38],"product_tag":[],"class_list":["post-15770","product","type-product","status-publish","has-post-thumbnail","product_brand-audio-nautes-recordings","product_cat-inregistrari-audio","product_cat-muzica-cd","first","instock","shipping-taxable","purchasable","product-type-simple"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Harold Farberman - All Star Percussion Ensemble (Limited Numbered Edition), Audio Nautes Recordings, CD - Audio Enterprise<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/audio-enterprise.ro\/aes\/product\/harold-farberman-all-star-percussion-ensemble-limited-numbered-edition-audio-nautes-recordings\/\" \/>\n<meta property=\"og:locale\" content=\"ro_RO\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Harold Farberman - All Star Percussion Ensemble (Limited Numbered Edition), Audio Nautes Recordings, CD - Audio Enterprise\" \/>\n<meta property=\"og:description\" content=\"Harold Farberman \u2013 The All Star Percussion Ensemble [UHQ-CD] Zece percu\u021bioni\u0219ti. 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